{"id":39316,"date":"1999-08-26T00:00:00","date_gmt":"1999-08-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/let-the-chicks-fall-where-they-may\/"},"modified":"1999-08-26T00:00:00","modified_gmt":"1999-08-26T00:00:00","slug":"let-the-chicks-fall-where-they-may","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/let-the-chicks-fall-where-they-may\/","title":{"rendered":"Let The Chicks Fall Where They May"},"content":{"rendered":"<p>These days, it almost seems like more bands are doing rockabilly<br \/>\nthan there were bands who originally created the genre back in the<br \/>\n&#8217;50s. This type of &#8220;retro rock&#8221; can help the listener gain an<br \/>\nappreciation for the roots of the music they&#8217;ve grown up with &#8211; if<br \/>\ndone correctly.<\/p>\n<p>One look at<br \/>\n<i>Let The Chicks Fall Where They May<\/i>, the debut release from<br \/>\nThe Sprague Brothers, and you know that there&#8217;s something wrong<br \/>\nwith this picture. At first, I honestly thought this was going to<br \/>\nbe a novelty record with a focux on sex. I mean, with cover art<br \/>\nfeaturing two scantily-clad women reaching up for the artists&#8217;<br \/>\ngroins, that would be a natural expectation, right? (Then again,<br \/>\nwho knows? With that kind of art, this could have been Aerosmith<br \/>\ngoing incognito.)<\/p>\n<p>Instead, what Chris and Frank Sprague create is a hybrid of<br \/>\nrockabilly and swing, and roll it into one package. Sometimes it<br \/>\nworks, sometimes it doesn&#8217;t. When the band is on, the music can do<br \/>\nno wrong. When they&#8217;re off, though, it&#8217;s hard keeping your eyes<br \/>\nopen.<\/p>\n<p>The actual core of the band is sparse, with Frank on lead guitar<br \/>\nand vocals, and Chris on drums and vocals. With an array of friends<br \/>\nfilling in on the missing instruments, the sound of The Sprague<br \/>\nBrothers is made richer &#8211; good thing, too, &#8217;cause I honestly<br \/>\ncouldn&#8217;t picture just the two instruments making up the music.<\/p>\n<p>Initially, there is a lot to smile about on<br \/>\n<i>Let The Chicks Fall Where They May<\/i>. Songs like &#8220;Deceived,&#8221;<br \/>\n&#8220;Hardship&#8221; and &#8220;She&#8217;s Lost&#8221; all demonstrate that this form of roots<br \/>\nrock is alive, well and thriving. It&#8217;s also worthwhile noting that<br \/>\nalmost every song on this album came from the pen of at least one<br \/>\nSprague, and the covers all pay fitting homage to their authors,<br \/>\nlike their take on Fats Domino&#8217;s &#8220;I&#8217;m Ready&#8221;.<\/p>\n<p>But<br \/>\n<i>Let The Chicks Fall Where They May<\/i> has one true enemy on its<br \/>\nside: indifference. While they may be talented songwriters and<br \/>\nmusicians, sometimes the music doesn&#8217;t come across with this<br \/>\ninformation, leaving the listener a bit bored. (It took me several<br \/>\ntries before I could get through this album &#8211; which is still<br \/>\nrelatively short &#8211; in one sitting and with comprehension of<br \/>\neverything I had listened to.) Tracks like &#8220;Battle Of The Bands&#8221;<br \/>\nand &#8220;How Far Will I Fall&#8221; just don&#8217;t have the kind of pizazz needed<br \/>\nto convince the typical listener that rockabilly is still relevant<br \/>\ntoday.<\/p>\n<p>Granted, this is a first recorded effort from The Sprague<br \/>\nBrothers, and I&#8217;m sure that the passage of time will cure some of<br \/>\nthe ills that ail this album. But unless you&#8217;re a diehard<br \/>\nrockabilly fan,<br \/>\n<i>Let The Chicks Fall Where They May<\/i> is an album that doesn&#8217;t<br \/>\nshow nearly as much of the promise that it had in the<br \/>\nbeginning.<\/p>\n","protected":false},"author":2,"featured_media":27927,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6512],"rating":[5614],"class_list":["post-39316","review","type-review","status-publish","has-post-thumbnail","artist-the-sprague-brothers","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39316"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39316\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27927"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39316"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39316"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39316"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}