{"id":39317,"date":"1998-08-27T00:00:00","date_gmt":"1998-08-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/low-down-to-uptown\/"},"modified":"1998-08-27T00:00:00","modified_gmt":"1998-08-27T00:00:00","slug":"low-down-to-uptown","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/low-down-to-uptown\/","title":{"rendered":"Low Down To Uptown"},"content":{"rendered":"<p>When it comes to harmonica-based blues, I&#8217;ve never really been<br \/>\nthat big of a fan. It&#8217;s not that I don&#8217;t like the harmonica, it&#8217;s<br \/>\njust that the material never seems to be strong enough for the<br \/>\ninstrument. This is hypocrytical, I know; it might seem like I&#8217;m<br \/>\nslamming such artists as Sonny Boy Williamson, Charlie Musselwhite<br \/>\nor the late William Clarke. And it&#8217;s not meant like that; it&#8217;s just<br \/>\na personal taste.<\/p>\n<p>In the case of Mark Hummel, he doesn&#8217;t resort to the harp that<br \/>\nmuch on his fourth album,<br \/>\n<i>Low Down To Uptown<\/i>. But when he does, he works some magic<br \/>\nwith it. Unfortunately, most of the rest of the material is not the<br \/>\nstrongest.<\/p>\n<p>Hummel assembled a decent backing band for this release,<br \/>\nincluding guitarist Junior Watson (also appearing is labelmate Mike<br \/>\nWelch). And the band seems to have its chops down very well, no<br \/>\nquestion about that. The instrumental piece &#8220;Po&#8217; Man&#8217;s Shoe Shine&#8221;<br \/>\nproves this without a doubt.<\/p>\n<p>The difficulty is that many of the vocal pieces are in a slow,<br \/>\nshuffle tempo. There seems to be little variety in the speed of the<br \/>\nsongs. The end result is an album that will literally lull you to<br \/>\nsleep. (I know &#8211; I fell asleep on four occasions when I tried to<br \/>\nlisten to this album for review. Otherwise, I would have banged<br \/>\nthis out back in July, when the disc was released.)<\/p>\n<p>And it&#8217;s not that this tempo is without merit. Hummel&#8217;s duet<br \/>\nwith Brenda Boykin, &#8220;T&#8217;ain&#8217;t What You Say,&#8221; is proof enough that<br \/>\nsuch a combination can work. Other songs, like &#8220;Keep A&#8217; Talkin&#8217;,&#8221;<br \/>\n&#8220;Ooh La La&#8221; and &#8220;West Coast Flood,&#8221; all do shine. But it eventually<br \/>\nis the lack of variety that becomes the Achilles&#8217; heel for<br \/>\nHummel.<\/p>\n<p>And then, there is &#8220;In A Sentimental Mood&#8221; &#8211; easily the crown<br \/>\njewel of this set. Taking the old Duke Ellington song and making it<br \/>\na harmonica-piano piece, Hummel lovingly delivers the goods,<br \/>\nproducing some of the richest tones I&#8217;ve ever heard from a<br \/>\nharmonica this side of John Popper. In this case, the tempo and<br \/>\ndelivery are the keys to the song&#8217;s success; I don&#8217;t think it would<br \/>\nhave worked as well with a full band in tow.<\/p>\n<p>Hummel is, without a doubt, a talented musician, and his backing<br \/>\nband members are no slouches, either. But when the songs all start<br \/>\nsounding the same, it doesn&#8217;t provide enough challenge for your<br \/>\nmind, and before you know it, you&#8217;re so far tuned out that you<br \/>\ncould pick up Radio Free Europe. What I think Hummel has to do is<br \/>\nto experiment more with different rhythms and with different tempos<br \/>\njust to break things up a bit. The music itself is good, but it<br \/>\nneeds to be taken to that next level.<\/p>\n<p>\n<i>Low Down To Uptown<\/i> is by no means a bad album, and Hummel<br \/>\nhas every right to hold his head up proudly for his accomplishments<br \/>\non it. But it doesn&#8217;t erase the fact that the same tempo over and<br \/>\nover again is just plain boring.<\/p>\n","protected":false},"author":2,"featured_media":27928,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7540],"rating":[5614],"class_list":["post-39317","review","type-review","status-publish","has-post-thumbnail","artist-mark-hummel","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39317"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39317\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27928"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39317"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39317"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}