{"id":39325,"date":"1999-08-29T00:00:00","date_gmt":"1999-08-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spirit-2\/"},"modified":"1999-08-29T00:00:00","modified_gmt":"1999-08-29T00:00:00","slug":"spirit-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spirit-2\/","title":{"rendered":"Spirit"},"content":{"rendered":"<p>&#8220;WE ARE LOVED BEYOND OUR ABILITY TO COMPREHEND&#8221; and other high<br \/>\nschool yearbook quotes decorate the cover, and these are guarenteed<br \/>\nto turn off fashionable cynics and hardcore Tori Amos fans. Not to<br \/>\ndiss either group of people, but this album just isn&#8217;t for them;<br \/>\nJewel&#8217;s second effort is better appreciated by people who want<br \/>\nsomething simple, but not condescendingly so.<\/p>\n<p>\n<i>Spirit<\/i> leans more to Barbra Streisand&#8217;s &#8217;70s sound, a kind<br \/>\nof light poignance that gets its power from classical\/folk guitar<br \/>\narrangements and a pure-sounding voice. The songs are gorgeously<br \/>\npackaged by Patrick Leonard who also co-wrote the first single<br \/>\n&#8220;Hands&#8221;. There are a couple of more radio-friendly tunes but on the<br \/>\nwhole,<br \/>\n<i>Spirit<\/i> doesn&#8217;t have many catchy hooks (the current<br \/>\nreleased-to-radio single &#8220;Jupiter&#8221; is a major rearrangement of the<br \/>\nalbum version) and it&#8217;s one of those albums that require repeated<br \/>\nlistenings.<\/p>\n<p>The album version of &#8220;Jupiter&#8221; is much less Celine Dion than its<br \/>\nradio release, much more folksy. Jewel&#8217;s lyrics are often<br \/>\ncriticized but in the area of sensuality, she holds her own in this<br \/>\nsong as well as &#8220;Enter From The East&#8221; and &#8220;Absence Of Fear&#8221;. It&#8217;s<br \/>\nwhen Jewel steps out of this realm where the lyrics tend to get a<br \/>\nlittle self-absorbed (&#8220;Twilight decends on our silhouette \/ how<br \/>\nsoon spring comes \/ how soon spring forgets&#8221;) or plain boring (&#8220;The<br \/>\nmore I live \/ the more I know \/ what&#8217;s simple is true \/ I love<br \/>\nyou&#8221;).<\/p>\n<p>My main complaints are with the &#8220;preachy&#8221; songs like &#8220;Innocence<br \/>\nMaintained&#8221;, &#8220;What&#8217;s Simple Is True&#8221; and the judgmental &#8220;Do You&#8221;,<br \/>\nthat just plain irritate. Jewel&#8217;s didactic style wears thin after<br \/>\nthe first couple of songs and it may turn you off the entire album,<br \/>\nand this is where she stands to lose. These songs are obviously<br \/>\nwritten not for herself but to impart; the exposition and lack of<br \/>\nsubtlety can only work against her on this.<\/p>\n<p>But for the most part, the melodies and arrangements are<br \/>\nelegant, if uninteresting at times. &#8220;Barcelona&#8221; with its dedicated<br \/>\nchorus is another song with good potential for radio. Jewel&#8217;s voice<br \/>\nis beautiful in her expert head-to-chest technique in songs like<br \/>\n&#8220;Kiss The Flame&#8221;, and she isn&#8217;t afraid to sound scratchy for the<br \/>\nsake of soul in &#8220;Down So Long&#8221;. There are no annoying vocal<br \/>\nshowcases and the instrumental arrangements are clean, warmly<br \/>\nacoustic and textured. An a cappella track featuring Jewel&#8217;s mother<br \/>\nNedra Carroll, Jewel&#8217;s mother, is an extra bonus in perfect<br \/>\nausterity.<\/p>\n<p>\n<i>Spirit<\/i> is ultimately appreciated by listeners in search of<br \/>\nsomething meaningful but simple. It might not be easy to agree with<br \/>\nher a hundred percent but with a little absence of expectation,<br \/>\n<i>Spirit<\/i> can be enjoyable to anyone who&#8217;s finding<br \/>\n<i>Little Earthquakes<\/i> traumatic.<\/p>\n","protected":false},"author":3,"featured_media":27936,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5727],"rating":[5619],"class_list":["post-39325","review","type-review","status-publish","has-post-thumbnail","artist-jewel","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39325"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27936"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39325"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39325"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39325"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}