{"id":39340,"date":"1999-08-03T00:00:00","date_gmt":"1999-08-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pacific\/"},"modified":"1999-08-03T00:00:00","modified_gmt":"1999-08-03T00:00:00","slug":"pacific","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pacific\/","title":{"rendered":"Pacific"},"content":{"rendered":"<p>Sometimes, I listen to newer bands, and they remind me of older,<br \/>\noften broken-up groups. More often than not, this comparison is<br \/>\nquite flattering, as the newer artists or band incorporates some of<br \/>\nthe previous group&#8217;s sound into theirs, all the while carving out<br \/>\ntheir own unique niche.<\/p>\n<p>After listening to<br \/>\n<i>Pacific<\/i> from The Rumors, I remembered just how much I liked<br \/>\n(and how much I miss) Toad The Wet Sprocket. This 12-song disc has<br \/>\na lot of pleasant material on it, and while the band is still very<br \/>\nmuch in the process of finding their own voice in this market, they<br \/>\nseem like they&#8217;re well on their way towards making a big name for<br \/>\nthemselves.<\/p>\n<p>The band &#8211; rhythm guitarist\/vocalist Rob Marlin,<br \/>\nbassist\/vocalist Sam Powers, lead guitarist Jon Beyl and<br \/>\ndrummer\/vocalist John Shireman &#8211; is very much rooted in the world<br \/>\nof light alternative rock, just like Toad The Wet Sprocket were.<br \/>\nTheir style of gentle rock with a Byrds-like jangle on occasion is<br \/>\nvery pleasant to listen to, whether you&#8217;re just listening to the<br \/>\ndisc after breaking the shrinkwrap or you&#8217;re on your 20th<br \/>\nlisten.<\/p>\n<p>Tracks like &#8220;Yesterday Again,&#8221; &#8220;Strange Days,&#8221; &#8220;Sacrifice&#8221; and<br \/>\n&#8220;The Nashville Song&#8221; all stand out as proof that The Rumors have<br \/>\nthe talent to raise themselves from small-label upstarts to a group<br \/>\nwho may be one or two steps away from the spotlight. While I would<br \/>\nhave liked to have heard more harmony vocals to flesh out the<br \/>\noverall sound, what they&#8217;ve created is still good; in a way, maybe<br \/>\nit&#8217;s better that they leaned towards minimalism this time<br \/>\naround.<\/p>\n<p>There are one or two missteps on<br \/>\n<i>Pacific<\/i>, like &#8220;Don&#8217;t Matter,&#8221; a song I just could not get<br \/>\ninto no matter how many times I listened to the disc. But these<br \/>\nmistakes are few, and are not anything that would kill the album<br \/>\noverall. If anything, I&#8217;d write these off as &#8220;growing pains&#8221; that<br \/>\nevery single band goes through at their start.<\/p>\n<p>What The Rumors need to do, in the interim, is to continue<br \/>\ndeveloping their own sound and style. Reminding me of Toad the Wet<br \/>\nSprocket on first impression is fine, but they do want to avoid the<br \/>\ntrap of becoming branded as a Toad wannabe on future releases. This<br \/>\nis something that will be accomplished with more time together in<br \/>\nthe studio and on the road, so I&#8217;m sure this is something the band<br \/>\nwill easily accomplish.<\/p>\n<p>\n<i>Pacific<\/i> is a pleasant first taste from a band who might be<br \/>\non the short track to fame, if given the right breaks. This is a<br \/>\ndisc you might have to search for, but if you like rock with a<br \/>\ntouch of alternative thrown in, then The Rumors are a band you&#8217;ll<br \/>\ndefinitely want to check out.<\/p>\n","protected":false},"author":2,"featured_media":27949,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7550],"rating":[5613],"class_list":["post-39340","review","type-review","status-publish","has-post-thumbnail","artist-the-rumors","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39340"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39340\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27949"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39340"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39340"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}