{"id":39344,"date":"1998-08-04T00:00:00","date_gmt":"1998-08-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/opiate\/"},"modified":"1998-08-04T00:00:00","modified_gmt":"1998-08-04T00:00:00","slug":"opiate","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/opiate\/","title":{"rendered":"Opiate"},"content":{"rendered":"<p>I still remember being blown away the first time I ever heard<br \/>\nthe band Tool. A former colleague of mine (Anthony, whom I&#8217;ve<br \/>\nwritten about before on these pages) played part of their demo for<br \/>\nme, and I was immediately hooked. The freshness of the music, the<br \/>\npure aggression &#8211; I loved it!<\/p>\n<p>Their 1992 debut effort, an EP named<br \/>\n<i>Opiate<\/i>, gave the world their first taste of Maynard James<br \/>\nKeenan and crew &#8211; and from then on, there was no looking back. This<br \/>\nseven-song wonder shows off more power in less than 30 minutes than<br \/>\nsome bands try to cram onto double albums. Filled with irreverance,<br \/>\nanger and questioning God, Tool pulls no punches, and leaves you<br \/>\nwanting to be smacked around for another 12 rounds.<\/p>\n<p>If the collage on the CD artwork scares you, then you might as<br \/>\nwell trade this disc in for Celine Dion, &#8217;cause Tool isn&#8217;t out to<br \/>\nsatisfy the masses. From the declarations of hatred in the<br \/>\nfunk-laced &#8220;Hush&#8221; and the live powerhouse &#8220;Jerk-Off&#8221; to the more<br \/>\nintrospective exclamation point against God on the title track<br \/>\n(&#8220;Jesus Christ, why don&#8217;t you come save my life now?&#8221;), Keenan,<br \/>\nguitarist Adam Jones, bassist Paul D&#8217;Amour and drummer Danny Carey<br \/>\ncapture the angst and the drama succinctly, all the while making<br \/>\nsongs that grab your eardrums and don&#8217;t let go.<\/p>\n<p>The only stumbling block is the cut &#8220;Part Of Me,&#8221; which doesn&#8217;t<br \/>\nseem to ever find its direction, no matter how hard it tries.<br \/>\nHowever, this one minor drawback is quickly eased by other numbers<br \/>\nsuch as &#8220;Cold And Ugly,&#8221; one of two live songs on<br \/>\n<i>Opiate<\/i>. (With the power of these live performances, one<br \/>\nwonders why Tool didn&#8217;t include more on this disc &#8211; for that<br \/>\nmatter, why they haven&#8217;t put out a live album, recent problems with<br \/>\nthe former Zoo Entertainment notwithstanding.)<\/p>\n<p>The surprise on this album is the hidden seventh track, a song<br \/>\nwhich should get the religious right&#8217;s undies in a knot real quick.<br \/>\nLighten up, gang, this song is a definite joke! How else do you<br \/>\nexplain lyrics like: &#8220;I had a friend once, he took some acid \/ Now<br \/>\nhe thinks he&#8217;s a fire engine&#8221;? So Keenan chants &#8220;Satan&#8221; in the<br \/>\nbackground &#8211; so what? Something tells me that both sides got a<br \/>\nlaugh out of this one.<\/p>\n<p>The only real qualm about<br \/>\n<i>Opiate<\/i>? Easy: it&#8217;s too damned short. If these seven songs<br \/>\nwet your appetite now, you have two other albums to choose from.<br \/>\nBack when I first heard this, I had to wait two years for<br \/>\n<i>Undertow<\/i> to come out to cure my hunger for more Tool.<\/p>\n<p>\n<i>Opiate<\/i> is undoubtedly the first stop you should make on your<br \/>\nroad to discovering all things Tool &#8211; it helps put into focus the<br \/>\nremainder of their work. Six years after its release, this is still<br \/>\na disc I enjoy thoroughly and repeatedly.<\/p>\n","protected":false},"author":2,"featured_media":27953,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5654],"rating":[5613],"class_list":["post-39344","review","type-review","status-publish","has-post-thumbnail","artist-tool","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39344"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27953"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39344"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39344"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39344"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}