{"id":39355,"date":"1999-08-05T00:00:00","date_gmt":"1999-08-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/chrome-locust\/"},"modified":"1999-08-05T00:00:00","modified_gmt":"1999-08-05T00:00:00","slug":"chrome-locust","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/chrome-locust\/","title":{"rendered":"Chrome Locust"},"content":{"rendered":"<p>How does one describe a band like Chrome Locust? The product of<br \/>\ntwo former members of D-Gen (including Todd Youth, formerly of<br \/>\nMurphy&#8217;s Law), one might expect this band to be punk to the<br \/>\nextreme.<\/p>\n<p>However, it&#8217;s best if you put all expectations aside when it<br \/>\ncomes time to listen to Chrome Locust&#8217;s self-titled debut, a<br \/>\nten-song onslaught that rarely disappoints &#8211; though it takes a few<br \/>\nlistens to really get into the disc.<\/p>\n<p>The band &#8211; guitarist\/vocalist Youth, bassist Jim Heneghan and<br \/>\ndrummer\/vocalist Michael Wildwood &#8211; remind me a lot of Helmet, who<br \/>\nspecialized in knowing how to put crunch into the music while<br \/>\nkeeping the vocals and their messages more streamlined. In a<br \/>\nsimilar vein, Chrome Locust do the same thing throughout the eight<br \/>\nvocal tracks on this disc. (The remaining two, including the<br \/>\n40-second &#8220;Intro&#8221;, are just instrumentals, but they are executed<br \/>\nwell.)<\/p>\n<p>On first listen, I&#8217;ll admit that<br \/>\n<i>Chrome Locust<\/i> passed by in a blur. This disc &#8211; which clocks<br \/>\nin at barely 30 minutes in length &#8211; didn&#8217;t seem to ever come up for<br \/>\nair, as tracks like &#8220;Drop,&#8221; &#8220;New World Disorder&#8221; and &#8220;Formula&#8221; all<br \/>\ncruised by, giving musical pleasure without a lot of comprehension<br \/>\non my part.<\/p>\n<p>Fortunately, a disc that&#8217;s only a half-hour in length is one I<br \/>\nhave the luxury of pushing the &#8220;repeat&#8221; button on; sure enough,<br \/>\nwith repeated listens, this disc began to show its true colors.<br \/>\nSome of the messages, like that on &#8220;M.I.A.,&#8221; should be taken very<br \/>\nseriously, as Youth and crew capture the pain of a former war hero<br \/>\nwho lives with the horrible memories of battle as well as a<br \/>\ngripping drug addiction.<\/p>\n<p>Other tracks, like &#8220;Drop&#8221; and &#8220;New World Disorder,&#8221; invite the<br \/>\nlistener to make their own conclusions as to what they think the<br \/>\nmessage of the songs are. Still others, like &#8220;Love Rap&#8221; and &#8220;Teen<br \/>\nDream,&#8221; take a lighter approach to things, such as the dream every<br \/>\nyoung musician starting in a garage band has of the days of<br \/>\nglory.<\/p>\n<p>For all the strengths of Chrome Locust, there are two gripes I<br \/>\nhave with this disc. First, while the music and songwriting prove<br \/>\nthemselves to be worthy of attention, it shouldn&#8217;t have to take<br \/>\nrepeated listens for their power and beauty to really come through.<br \/>\nSecond &#8211; you saw this one coming, didn&#8217;t you? &#8211; this disc is far<br \/>\ntoo short, especially when one really gets into the groove. (I will<br \/>\nsay this: ending the disc with the instrumental &#8220;The Cycle Of Birth<br \/>\nAnd Death&#8221; is a wise move; it allows the listener to come down<br \/>\nslowly from the musical high they&#8217;re sent on.)<\/p>\n<p>\n<i>Chrome Locust<\/i> is a great first effort that needs only a<br \/>\nlittle more fine tuning. If the band can make those minor<br \/>\nadjustments, their next record should be unstoppable.<\/p>\n","protected":false},"author":2,"featured_media":27963,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7560],"rating":[5615],"class_list":["post-39355","review","type-review","status-publish","has-post-thumbnail","artist-chrome-locust","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39355"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39355\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27963"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39355"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39355"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39355"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}