{"id":39356,"date":"1998-08-06T00:00:00","date_gmt":"1998-08-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dedicated-to-you\/"},"modified":"1998-08-06T00:00:00","modified_gmt":"1998-08-06T00:00:00","slug":"dedicated-to-you","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dedicated-to-you\/","title":{"rendered":"Dedicated To You"},"content":{"rendered":"<p>It wasn&#8217;t that long ago that I reviewed the first solo album<br \/>\nfrom the Fly-Rite Boys, who normally perform with Robert &#8220;Big<br \/>\nSandy&#8221; Williams. Now, fresh on the heels of the Fly-Rite Boys&#8217;s<br \/>\neffort comes the first solo disc from Big Sandy himself,<br \/>\n<i>Dedicated To You<\/i>.<\/p>\n<p>While it is noble that some artists have made it their lives to<br \/>\npreserve the sound and feel of music form the early days of rock<br \/>\nand roll, this disc does prove that too much of a good thing can be<br \/>\nbad.<\/p>\n<p>Big Sandy employs the assistance of legendary &#8217;50s doo-wop<br \/>\nartists The Calvanes and pianists Dewey Terry (who also contributes<br \/>\na guitar solo and vocal), Skip Edwards and Carl Sonny Leyland to<br \/>\nhelp flesh out the sound of the band &#8211; and their influence is<br \/>\nclearly felt throughout the disc. If you are a Baby Boomer (or,<br \/>\nlike me, you&#8217;re the child of one and have grown up listening to the<br \/>\noldies station with them), you might often find yourself doing a<br \/>\ndouble-take when listening to Big Sandy. With more than a touch of<br \/>\nElvis Presley in his voice, you might find it difficult to believe<br \/>\nyou&#8217;re listening to a product from 1998, and not 1955.<\/p>\n<p>And there&#8217;s no doubting that Big Sandy and his backing group<br \/>\ntackle this collection of 15 covers of older doo-wop songs (and one<br \/>\noriginal snuck in) with the resolve of bringing joy to those who<br \/>\nlisten to it. Songs like &#8220;Lonely Guy,&#8221; &#8220;Pretty Girls Everywhere&#8221;<br \/>\nand &#8220;I&#8217;m Leavin&#8217; It All Up To You&#8221; (featuring a vocal from Dewey<br \/>\nTerry, who sang on the original version as well) all send chills of<br \/>\npleasure down the listener&#8217;s spine.<\/p>\n<p>What Big Sandy doesn&#8217;t recognize on<br \/>\n<i>Dedicated To You<\/i> is that this style of music is tolerable<br \/>\nfor a limited amount of time. When you start grabbing songs like<br \/>\n&#8220;Death Of An Angel,&#8221; the true-to-form of the original really grates<br \/>\non you. The crying in the background almost made me think I was<br \/>\nlistening to Johnnie Ray (the original was done by Donald Woods). I<br \/>\ndon&#8217;t remember any of the teen-death songs of that era actually<br \/>\nfeaturing weeping in the background. (For that matter, I haven&#8217;t<br \/>\nheard any song featuring crying that I&#8217;ve liked &#8211; ever.)<\/p>\n<p>And while many of the selections featured here are songs that<br \/>\nBig Sandy grew up listening to, odds are that even some Baby<br \/>\nBoomers might have a difficult time recognizing some of these songs<br \/>\nfrom the days of their youth. (I have yet to test this disc on my<br \/>\nfather, who listened to the oldies so much that he got me<br \/>\ninterested in them. My dad likes to say that I know the oldies and<br \/>\nthe artists better than he does.)<\/p>\n<p>\n<i>Dedicated To You<\/i> is still a fun album to listen to, but it&#8217;s<br \/>\nnot one that&#8217;s easily dealt with in one sitting. Had Big Sandy<br \/>\nchosen a few different cuts than almost all obscure numbers, this<br \/>\nmight have been a more approachable disc. Still, there&#8217;s room for a<br \/>\nlot of smiles.<\/p>\n","protected":false},"author":2,"featured_media":27964,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7561],"rating":[5614],"class_list":["post-39356","review","type-review","status-publish","has-post-thumbnail","artist-big-sandy","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39356"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39356\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27964"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39356"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39356"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}