{"id":39375,"date":"1999-09-10T00:00:00","date_gmt":"1999-09-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/silent-radar\/"},"modified":"1999-09-10T00:00:00","modified_gmt":"1999-09-10T00:00:00","slug":"silent-radar","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/silent-radar\/","title":{"rendered":"Silent Radar"},"content":{"rendered":"<p>When you thnk of Canada, chances are you think of hockey and<br \/>\nbeer. If you are hip, you might even think of &#8220;SCTV,&#8221; their answer<br \/>\nto &#8220;Saturday Night Live&#8221;. But do you think of Canada as the home of<br \/>\npop\/rock groups waiting to make a name for themselves?<\/p>\n<p>The more I do this job, the more it surprises me that there are<br \/>\nso many groups just to our north who never get a fair shot in the<br \/>\nStates. One of those groups, The Watchmen, are finally being given<br \/>\na chance to succeed within our borders, as their American debut<br \/>\n(and fourth album overall)<br \/>\n<i>Silent Radar<\/i> is released.<\/p>\n<p>The band &#8211; vocalist Daniel Greaves, guitarist Joey Serlin,<br \/>\nbassist Ken Tizzard and drummer Sammy Kohn &#8211; remind me more than a<br \/>\nlittle of Live, only The Watchmen&#8217;s music isn&#8217;t as dark and<br \/>\nbrooding as Live&#8217;s can get. Musically, they&#8217;re a cohesive outfit<br \/>\nwho know how to turn on the charm in their songs. However, the one<br \/>\ndrawback to<br \/>\n<i>Silent Radar<\/i> is that it&#8217;s not the easiest album to get<br \/>\ncomfortable with, and the challenges the band issues to the<br \/>\nlistener might be too much for one to overcome. You certainly won&#8217;t<br \/>\ndo it with one compulsory listen.<\/p>\n<p>The album opens strongly enough with &#8220;Stereo,&#8221; a track that<br \/>\nbuilds from its gentle introduction to a guitar powerhouse very<br \/>\nquickly. This track alone could help the band establish themselves<br \/>\non American radio; it&#8217;s catchy enough to make you want to hear it<br \/>\nagain and again, yet fresh enough where you&#8217;ll hear something new<br \/>\nwith each listen.<\/p>\n<p>For a good portion of<br \/>\n<i>Silent Radar<\/i>, The Watchmen prove to be a very impressive<br \/>\nband who create music that excites. Tracks like &#8220;I&#8217;m Waiting,&#8221; &#8220;Do<br \/>\nIt,&#8221; &#8220;Come Around&#8221; and the title track all stand out, and make the<br \/>\nlistener wonder why no one in America was willing to take a chance<br \/>\non these guys before.<\/p>\n<p>However, there are some moments on<br \/>\n<i>Silent Radar<\/i> that prove to be hard to plow through. Tracks<br \/>\nlike &#8220;Rooster&#8221; do eventually show their power to the listener, but<br \/>\nthey&#8217;re not the most accessible songs. I found that when I lost my<br \/>\nfocus during these tracks, it was nearly impossible for me to<br \/>\nlisten to the remainder of the album with the same intensity that I<br \/>\nhad been. Before I&#8217;d realize it, three tracks would pass, and I had<br \/>\nno knowledge of what I&#8217;d just heard.<\/p>\n<p>While<br \/>\n<i>Silent Radar<\/i> has the potential to be the true breakthrough<br \/>\nfor The Watchmen, they do need to try and break out of the<br \/>\nmelancholia that has been the trademark of other bands. When the<br \/>\nalbum slows down, like on &#8220;Any Day Now,&#8221; it plods at times, and it<br \/>\ntakes a lot more effort to bring things up to speed. I&#8217;m not saying<br \/>\nthe band should drop the slow-tempo numbers, but they should try to<br \/>\nfind the spark that will keep people listening intensely.<\/p>\n<p>\n<i>Silent Radar<\/i> is an album that should produce more than a<br \/>\n&#8220;blip&#8221; on the screens of American audiences. And while they still<br \/>\nneed one more coat of paint before they&#8217;re ready for superstardom,<br \/>\nthis is still a solid first effort in the States. Chances are if<br \/>\nthis one succeeds, we&#8217;ll be seeing their other albums down here in<br \/>\ndue time.<\/p>\n","protected":false},"author":2,"featured_media":27983,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7568],"rating":[5612],"class_list":["post-39375","review","type-review","status-publish","has-post-thumbnail","artist-the-watchmen","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39375"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39375\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27983"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39375"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39375"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}