{"id":39395,"date":"1999-09-01T00:00:00","date_gmt":"1999-09-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strange-times\/"},"modified":"1999-09-01T00:00:00","modified_gmt":"1999-09-01T00:00:00","slug":"strange-times","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strange-times\/","title":{"rendered":"Strange Times"},"content":{"rendered":"<p>Like many people, my first taste of the Moody Blues was through<br \/>\nthe radio. Songs like &#8220;Nights In White Satin&#8221; (in all its<br \/>\noverplayed glory), &#8220;Tuesday Afternoon,&#8221; &#8220;The Voice&#8221; and &#8220;Your<br \/>\nWildest Dreams&#8221; were all part of the pattern of my young life.<br \/>\nJustin Hayward and crew might not have had a lot of time on my<br \/>\nturntable when I was young, but I listened intensely every time I<br \/>\nheard them on the radio.<\/p>\n<p>So why am I utterly disappointed by<br \/>\n<i>Strange Times<\/i>, their first album in years? Is it because a<br \/>\nlot of the rich, layered harmony vocals that I loved on some songs<br \/>\njust aren&#8217;t there this time around? Or is it that the music sounds<br \/>\nlike the band was bored to tears at certain points on this<br \/>\nalbum?<\/p>\n<p>Now, I realize that music changes as time passes, and change is<br \/>\noften good (even if it doesn&#8217;t seem like it at the moment you first<br \/>\nexperience it). But I can&#8217;t fathom why the band would utilize what<br \/>\nsounds like synthesized drums on the opening track &#8220;English<br \/>\nSunset&#8221;. It&#8217;s bad enough that such a gentle tune is turned into a<br \/>\nshuffle, but the drumwork sounds like something off a techno<br \/>\nalbum.<\/p>\n<p>And, I realize that I probably expected to hear a lot of the<br \/>\nheavily arranged songs like &#8220;Your Wildest Dreams&#8221; and others which<br \/>\nwere both poppy and pretty. Unfortunately for me on both counts,<br \/>\nThe Moody Blues do two things on<br \/>\n<i>Strange Times<\/i>. First, they scale back their sound so much<br \/>\nthat I often thought I was listening to a group like The Fixx. (No<br \/>\noffense to Fixx fans; I&#8217;m just saying this style of performance<br \/>\nisn&#8217;t suited for a band like The Moody Blues.) Second, with rare &#8211;<br \/>\nand I mean<br \/>\n<i>rare<\/i> &#8211; exception, there are no vocal harmonies. Tracks like<br \/>\n&#8220;Sooner Or Later (Walkin&#8217; On Air)&#8221; and &#8220;Forever Now&#8221; really would<br \/>\nhave benefitted from this.<\/p>\n<p>It&#8217;s not that the harmonies are a gimmick that Hayward and<br \/>\ncompany use; it&#8217;s that these work well for the band. Case in point:<br \/>\n&#8220;Foolish Love,&#8221; easily the best song on the album. Now<br \/>\n<b><br \/>\n<i>this<\/i><br \/>\n<\/b> sounds like The Moody Blues! The musical arrangement is top<br \/>\nnotch, the vocals sound angelic, and it&#8217;s a track that even casual<br \/>\nfans would be able to easily identify.<\/p>\n<p>The one thing that strikes me about<br \/>\n<i>Strange Times<\/i> is that, unlike some Moody Blues albums I&#8217;ve<br \/>\nlistened to, I don&#8217;t find myself getting excited about the music<br \/>\nI&#8217;m hearing. This might be because the band occasionally doesn&#8217;t<br \/>\nsound thrilled with what they&#8217;re doing. &#8220;All That Is Real Is You,&#8221;<br \/>\na track that has a bit of a Celtic taste to it, could have been a<br \/>\nreal pretty track if it hadn&#8217;t been executed so lazily; it<br \/>\nsometimes sounds like Hayward is about to fall asleep while doing<br \/>\nthe vocal. And did we really need the tieback to<br \/>\n<i>Days Of Future Passed<\/i> with the spoken-word outro on &#8220;Nothing<br \/>\nChanges&#8221;?<\/p>\n<p>I&#8217;ll admit, the more I listen to<br \/>\n<i>Strange Times<\/i>, the more is revealed that I like about this<br \/>\nalbum. But this one is hardly a classic, and is a disappointing<br \/>\nreturn for a band that is capable of so much greater work.<\/p>\n","protected":false},"author":2,"featured_media":28003,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6703],"rating":[5619],"class_list":["post-39395","review","type-review","status-publish","has-post-thumbnail","artist-the-moody-blues","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39395"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39395\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28003"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39395"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39395"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39395"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}