{"id":39400,"date":"1999-09-21T00:00:00","date_gmt":"1999-09-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-mission-of-five\/"},"modified":"1999-09-21T00:00:00","modified_gmt":"1999-09-21T00:00:00","slug":"a-mission-of-five","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-mission-of-five\/","title":{"rendered":"A Mission Of Five"},"content":{"rendered":"<p>Every once in a while, I hear a band whose music sounds like it<br \/>\nis the offspring of two better-known bands. Sometimes, this merging<br \/>\nof styles is pleasant; other times, it sounds like cats being<br \/>\nthrown into a food processor. Then, there are the marriages of<br \/>\nstyle that both irritate me and thrill me. Ladies and gentlemen,<br \/>\nmeet The Statue Factor.<\/p>\n<p>Their independent disc<br \/>\n<i>A Mission Of Five<\/i> sounds a lot like what would happen if the<br \/>\nB-52s and the Violent Femmes were to merge. Sometimes, the end<br \/>\nresult ain&#8217;t pretty, but there are times on this disc that show me<br \/>\nsuch a collaboration of styles can work, and can work well. Too bad<br \/>\nthere aren&#8217;t more moments like these on this disc.<\/p>\n<p>The band &#8211; vocalist Joseph Coehlo, guitarist Jesse Thomas,<br \/>\norganist\/vocalist Lady K, bassist James Dias and drummer Roger<br \/>\nKnight &#8211; often sound like an electrified Violent Femmes, only<br \/>\nthey&#8217;re lacking Gordon Gano&#8217;s annoying whine. Instead, Coehlo<br \/>\nbellows on some of the tracks as if he were being emotionally<br \/>\ntortured &#8211; not a great way to make a first impression. Throw in<br \/>\nLady K&#8217;s shouts from behind the keyboards, and you&#8217;ve got the<br \/>\nB-52&#8217;s without the smarminess of Fred Schneider &#8211; or, for that<br \/>\nmatter, the harmony of said band.<\/p>\n<p>The early minutes of<br \/>\n<i>A Mission Of Five<\/i> are some of the band&#8217;s most difficult to<br \/>\nget through. Tracks like &#8220;Skulls, Blades And Hearts&#8221; and &#8220;She<br \/>\nDestroyed Me&#8221; fail to impress, even though these tracks often hint<br \/>\nat some promise. But just when you&#8217;re about to give up all hope on<br \/>\nthis band, out come tracks like &#8220;Coughing Up Blood&#8221; and &#8220;Popular<br \/>\nGirl Syndrome,&#8221; tracks which still need a coat of paint, but turn<br \/>\nout to be rather enjoyable efforts.<\/p>\n<p>This ping-ponging between quality and pain continues for most of<\/p>\n<p><i>A Mission Of Five<\/i>. For each track that was painful to listen<br \/>\nto (&#8220;Tight Shirt Conspiracy,&#8221; &#8220;He&#8217;s Cheap Luv&#8221;), there was a<br \/>\ncorresponding track that reaffirmed hope in The Statue Factor<br \/>\n(&#8220;Inemotion,&#8221; &#8220;After Midnight&#8221;). All of this, crammed into just<br \/>\nunder 40 minutes, leaves you feeling exhausted and a bit confused<br \/>\nat the end.<\/p>\n<p>The Statue Factor is still a very young band, and as<br \/>\n<i>A Mission Of Five<\/i> proves, they do have some promise behind<br \/>\ntheir music. If they&#8217;re going to have a fighting chance in the<br \/>\ngladiator game we call the music industry, they have to work on<br \/>\nmaking their music less spotty and more cohesive and coherent. Once<br \/>\nthey do that, they will easily have a good chance at making a name<br \/>\nfor themselves nationally. Until then,<br \/>\n<i>A Mission Of Five<\/i> suggests that the mission, while not<br \/>\nimpossible, may be hard to achieve.<\/p>\n","protected":false},"author":2,"featured_media":28008,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7579],"rating":[11204],"class_list":["post-39400","review","type-review","status-publish","has-post-thumbnail","artist-the-statue-factor","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39400"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39400\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28008"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39400"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39400"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}