{"id":39416,"date":"1999-09-29T00:00:00","date_gmt":"1999-09-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/life-in-volcanoes\/"},"modified":"1999-09-29T00:00:00","modified_gmt":"1999-09-29T00:00:00","slug":"life-in-volcanoes","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/life-in-volcanoes\/","title":{"rendered":"Life In Volcanoes"},"content":{"rendered":"<p>It might not always seem like it if you&#8217;ve read my reviews for<br \/>\nany length of time, but I do like to listen to the occasionally<br \/>\nquirky pop album. I don&#8217;t necessarily mean novelty works, rather<br \/>\nthose albums that seem to be created under what others would see as<br \/>\nchaos &#8211; and, in the end, coming forth with what turns out to be a<br \/>\nbeautiful piece of work.<\/p>\n<p>With that thought in mind, let&#8217;s turn in our hymnals to<br \/>\n<i>Life In Volcanoes<\/i> from Povi. This debut album is an<br \/>\ninteresting combination of trance-like music and pop sensibility &#8211;<br \/>\nand it&#8217;s hypnotic enough to lock you in for numerous listens.<\/p>\n<p>\n<i>Life In Volcanoes<\/i> is the final product of Los Angeles-based<br \/>\n<i>wunderkind<\/i> Carmen Rizzo and Australia-based vocalist<br \/>\nCristina Calero. Developing the songs on this album happened<br \/>\nthrough long-distance communications &#8211; something I know is not<br \/>\nuncommon among band members, but rare for such a chemistry to work<br \/>\non the first try. Recorded in Los Angeles, the culmination of the<br \/>\ntwo-continent collaboration (say<br \/>\n<i>that<\/i> five times fast) has a lot in common with much of the<br \/>\nmusic you&#8217;ve undoubtedly heard &#8211; but is like nothing you&#8217;ve ever<br \/>\nheard.<\/p>\n<p>Confused yet? Don&#8217;t be. Instead, let the music on<br \/>\n<i>Life In Volcanoes<\/i> explain everything to you. From the<br \/>\nmood-setting opener &#8220;Last Day Of Spring,&#8221; Povi quickly throws<br \/>\nthings into creative overdrive on &#8220;Dragonflies,&#8221; a song that, if<br \/>\nthere&#8217;s any justice in this industry, should be burning up the<br \/>\nalternative charts in no time flat. Calero&#8217;s voice is perfectly<br \/>\nsuited for this material, and her lyrics are enchanting. The<br \/>\nmusicians assembled by Rizzo for this project (who are too numerous<br \/>\nto name individually, but are people he&#8217;s closely worked with in<br \/>\nthe past) likewise seem to be the key to unlock the music&#8217;s inner<br \/>\nbeauty.<\/p>\n<p>For a good portion of<br \/>\n<i>Life In Volcanoes<\/i>, this magic continues to unfold. I&#8217;d be<br \/>\nhard-pressed to find one track on this disc that I didn&#8217;t like.<br \/>\nFrom the almost chant-like texture on &#8220;Volcanoes&#8221; to the beauty of<br \/>\nsongs like &#8220;Hiroshima Sweet Eyes&#8221; and &#8220;Other People Sleep,&#8221; Povi<br \/>\nseem to know exactly how to hit the bull&#8217;s-eye every time. (The one<br \/>\nslip? Maybe that would be &#8220;Creatures,&#8221; a song whose style just<br \/>\ndoesn&#8217;t seem to fit with what the band did throughout the rest of<br \/>\nthe album. Fortunately, this is a short piece, and not a major<br \/>\nfaux-pas.)<\/p>\n<p>Povi even has the good sense to know how to handle the hidden<br \/>\ntrack &#8211; either a re-do or a repeat of &#8220;Dragonflies&#8221; &#8211; by having it<br \/>\nkick off shortly after the last track fades out. If only other<br \/>\npeople who get their rocks off by throwing 20 minutes of silence in<br \/>\nbetween the last song and the hidden track would get the drift.<\/p>\n<p>\n<i>Life In Volcanoes<\/i> is an album that is undeniably charming,<br \/>\nand one that should make Povi a household name in the world of<br \/>\nalternative music. There are thousands of stories in the industry<br \/>\nabout groups who should have been bigger than they eventually<br \/>\nbecame. Here&#8217;s hoping that Povi is given a fair shake, and doesn&#8217;t<br \/>\nbecome another one of those stories.<\/p>\n","protected":false},"author":2,"featured_media":28024,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7587],"rating":[5617],"class_list":["post-39416","review","type-review","status-publish","has-post-thumbnail","artist-povi","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39416"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39416\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28024"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39416"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39416"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}