{"id":39424,"date":"1999-09-30T00:00:00","date_gmt":"1999-09-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/breaking-down-to-3\/"},"modified":"1999-09-30T00:00:00","modified_gmt":"1999-09-30T00:00:00","slug":"breaking-down-to-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/breaking-down-to-3\/","title":{"rendered":"Breaking Down To 3"},"content":{"rendered":"<p>While it&#8217;s hard to find pure folk music in this day and age, it<br \/>\nis very easy to find forms of folk that have taken on<br \/>\ncharacteristics of other genres. When I first heard David Wilcox<br \/>\nsome years ago, I was blown away &#8211; but Wilcox is more of a folk-A\/C<br \/>\nblend, not pure folk. Loudon Wainwright III may be the closest<br \/>\nthing we have to a pure folk artist that I can think of off the top<br \/>\nof my head.<\/p>\n<p>Dave Moore reminds me a lot of Wilcox, only there&#8217;s less of an<br \/>\nadult-contemporary vein and more of a country feel to his music.<br \/>\nHis latest album,<br \/>\n<i>Breaking Down To 3<\/i>, shows off an artist who seems to pull<br \/>\nhis punches when it comes to delivering a killer album. He gives us<br \/>\njust enough to prove that he&#8217;s well on his way to becoming a<br \/>\nlegend, but doesn&#8217;t seem to go past that level enough.<\/p>\n<p>Sounds like a bash against Moore? Believe me, it&#8217;s not. Moore&#8217;s<br \/>\ndown-home delivery and songwriting show that he&#8217;s got his finger on<br \/>\nthe pulse of this genre, and he knows how to work his songs into<br \/>\nsomething wonderful. The album&#8217;s opening track, &#8220;Mr. Music,&#8221; starts<br \/>\nto lead the listener down this path, but stops short of taking them<br \/>\non the full journey. He saves that magic for tracks like &#8220;Big<br \/>\nDrafty House,&#8221; &#8220;Let&#8217;s Take Our Time And Do It Right&#8221; and &#8220;Magic<br \/>\nDust&#8221;. If you find yourself going back to these tracks a lot,<br \/>\nyou&#8217;re not alone.<\/p>\n<p>What makes some of Moore&#8217;s music so magical is that he paints a<br \/>\npicture with words that allows you to see in your mind the scene<br \/>\nhe&#8217;s singing about. When he describes the setting in &#8220;Big Drafty<br \/>\nHouse,&#8221; you can almost see Moore walking through its rooms as he<br \/>\nsings about his memories of them. (In a way, I wish that he had<br \/>\ngone into even more detail than he did; I like having a vivid<br \/>\npicture in my mind.)<\/p>\n<p>The problem is that Moore doesn&#8217;t always take this road on<br \/>\n<i>Breaking Down To 3<\/i>. Often, the music he creates is passable,<br \/>\nbut not awe-inspiring. And when you release an album that&#8217;s only<br \/>\nabout 36 minutes long, you would like to make sure you keep your<br \/>\naudience captivated. Unfortunately, he lost me on tracks like<br \/>\n&#8220;Midnight&#8221; and &#8220;Big Fool For You&#8221; &#8211; not that they&#8217;re bad numbers,<br \/>\nbut that they just don&#8217;t have any magic.<\/p>\n<p>&#8220;Down To The River,&#8221; the disc&#8217;s closer, plays the cruelest trick<br \/>\nof them all. Moore once again captures your attention and uses the<br \/>\nwords as oils to allow you to paint the action in your mind. Just<br \/>\nwhen you really get into the track and are ready for the next<br \/>\nmusical canvas, the disc ends. I&#8217;ll give him this: he saved the<br \/>\nbest for last.<\/p>\n<p>\n<i>Breaking Down To 3<\/i> is not pure folk, and it&#8217;s far from pure<br \/>\ncountry, but it does create an interesting (if not a bit spotty)<br \/>\ntexture that listeners will find moments of pleasure in. What Moore<br \/>\nneeds to do now is to create an album that will eliminate the<br \/>\nmoments of distraction, and create a disc that will allow the<br \/>\nlistener to paint a virtual Louvr\u00e9 in their heads.<\/p>\n","protected":false},"author":2,"featured_media":28030,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7592],"rating":[5612],"class_list":["post-39424","review","type-review","status-publish","has-post-thumbnail","artist-dave-moore","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39424"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39424\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28030"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39424"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39424"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}