{"id":39431,"date":"1999-09-04T00:00:00","date_gmt":"1999-09-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/share-my-world\/"},"modified":"1999-09-04T00:00:00","modified_gmt":"1999-09-04T00:00:00","slug":"share-my-world","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/share-my-world\/","title":{"rendered":"Share My World"},"content":{"rendered":"<p>The First Lady of Soul needs less First Lady and more Soul.<\/p>\n<p>From the soundclips of Mary J. Blige being announced the winner<br \/>\nfor various music awards to the prominent &#8220;F&#8212;I&#8221; logo on the<br \/>\nshades she wears on her cover,<br \/>\n<i>Share My World<\/i> has a lot of posturing but a deficit of<br \/>\nsubstance. The producers are the best in the pop hip-hop business:<br \/>\nFlyte Time, Trackmasters, Rodney Jerkins and Babyface. There&#8217;s<br \/>\nname-dropping and trademark grooves, Blige&#8217;s multi-layered vocal<br \/>\nchoruses and thumping machine bass, but hooky songs like &#8220;Love Is<br \/>\nAll We Need&#8221; don&#8217;t give way to more soulful tracks that live up to<br \/>\nBlige&#8217;s reputation.<\/p>\n<p>&#8220;I Can Love You&#8221;, &#8220;Round And Round&#8221;, &#8220;Keep Your Head&#8221; and &#8220;Get<br \/>\nTo Know You Better&#8221; are all more or less generic R&#038;B songs with<br \/>\nstatements of cool, flawless love and sensuality, with<br \/>\naforementioned &#8220;soulful&#8221; choruses and dime-a-dozen lyrics. Title<br \/>\ntrack &#8220;Share My World&#8221; starts out beautifully, but soon eats itself<br \/>\nby pointless repetition of samples and an over-languid Blige. &#8220;It&#8217;s<br \/>\nOn&#8221; produced by R. Kelly and &#8220;Missing You&#8221; by Babyface have got to<br \/>\nbe the blandest pieces either songwriter-producers must&#8217;ve come up<br \/>\nwith. Both artists have proven inconsistent in the past, and these<br \/>\nare among their lesser forays.<\/p>\n<p>The machine bass in &#8220;Can&#8217;t Get You Off My Mind&#8221; needs major<br \/>\ntoning down. The incessant thumping in an otherwise sparse<br \/>\narrangement may sound terrific in a club but it&#8217;s migraine-inducing<br \/>\non home speakers. On the other hand, &#8220;(You Make Me Feel Like A)<br \/>\nNatural Woman&#8221; needs a little more arrangement and a little less<br \/>\nspeed (and isn&#8217;t it supposed to be &#8220;I used to feel<br \/>\n*un*inspired&#8221;?).<\/p>\n<p>Some hints of soul are glimpsed in the (very) short interlude<br \/>\n&#8220;Thank You Lord&#8221;, which would&#8217;ve been better as an entire song, and<br \/>\na terrific retro-pop track &#8220;Our Love&#8221; that&#8217;s gotta sound good on<br \/>\nLP, with dust static. It&#8217;s a damn shame Blige is too secure in the<br \/>\nknowledge of what she can do, she just doesn&#8217;t go out and do<br \/>\nit.<\/p>\n<p>There&#8217;s one real saver in the bunch and that&#8217;s &#8220;Not Gon&#8217; Cry&#8221;.<br \/>\nIt does what hip-hop is followed for; combines a tight beat with<br \/>\norganic soul, tells a story and invites the listener in. But you&#8217;d<br \/>\nbe better off getting it on the<br \/>\n<i>Waiting To Exhale<\/i> soundtrack.<\/p>\n<p>Blige needs to lose herself in order to find her soul. The<br \/>\nhip-hop R&#038;B market is already deluged with this stuff; Blige,<br \/>\nhowever, doesn&#8217;t try to set any standards with this one, but she<br \/>\ndoesn&#8217;t succeed in living up to her media-given title, either.<\/p>\n","protected":false},"author":3,"featured_media":28037,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7598],"rating":[5616],"class_list":["post-39431","review","type-review","status-publish","has-post-thumbnail","artist-mary-j-blige","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39431"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39431\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28037"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39431"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39431"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}