{"id":39436,"date":"2001-03-06T00:00:00","date_gmt":"2001-03-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/erin-brockovich\/"},"modified":"2001-03-06T00:00:00","modified_gmt":"2001-03-06T00:00:00","slug":"erin-brockovich","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/erin-brockovich\/","title":{"rendered":"Erin Brockovich"},"content":{"rendered":"<p>Thomas Newman is one of the few soundtrack composers out there<br \/>\nwho still view a soundtrack as a musical means to tell a story, not<br \/>\nan attempt to paste together a bunch of musical acts together for<br \/>\nthe sake of making a hit album. His score for<br \/>\n<i>American Beauty<\/i> helped the movie maintain its intoxicating<br \/>\nflow.<\/p>\n<p>Now he&#8217;s back again with<br \/>\n<i>Erin Brockovich<\/i>. And once again, Newman&#8217;s score helps the<br \/>\nfilm as much as the great performances given by Julia Roberts and<br \/>\nAlbert Finney. Listening to the movie&#8217;s soundtrack onscreen makes<br \/>\nperfect sense: many of the songs use odd instrumentation to create<br \/>\na watery motif. The lead track, &#8220;Useless&#8221; has an upbeat piano<br \/>\ncadence that sounds like a rallying cry to the protagonist of the<br \/>\nfilm.<\/p>\n<p>However, listen to the soundtrack in your car or just on your<br \/>\nstereo and<br \/>\n<i>Erin Brockovich<\/i> loses a lot of its commercial zest. In fact,<br \/>\nlistening to the soundtrack on its own merits sounds every bit as<br \/>\navant garde as Philip Glass or John Cage. Fortunately, much of the<br \/>\nsoundtrack has stirring string sequences to keep its humanism<br \/>\nintact.<\/p>\n<p>The soundtrack has a sewn together feel as some songs are fully<br \/>\nformed and others simply surface for a few seconds and then lead<br \/>\ninto one of two Sheryl Crow songs on the soundtrack. Many songs are<br \/>\ntitled after the event that the song appears in the movie, such as<br \/>\n&#8220;Chicken Fat Lady&#8221; and &#8220;Lymphocytes.&#8221; When my mother asked the<br \/>\ntitle of a song she liked on this soundtrack, it took all of my<br \/>\ncomposure to say &#8220;No Colon&#8221; with a straight face.<\/p>\n<p>Some tracks worked great on the screen, but seem to be a<br \/>\nscatterbrained artistic mess, like &#8220;Xerox Copy&#8221; and &#8220;Holding<br \/>\nPonds.&#8221; However, the soundtrack manages to maintain much of the<br \/>\nheart that is in the film. Part of the reason for this is the<br \/>\ncatchy, repeating song variations spread neatly throughout the<br \/>\nsoundtrack. The musical cadence of &#8220;Useless&#8221; pops up throughout and<br \/>\na playful piano arrangement gives songs like &#8220;On The Plume&#8221; and<br \/>\n&#8220;Classifieds&#8221; a great pop edge.<\/p>\n<p>The two Sheryl Crow songs, &#8220;Redemption Day&#8221; and &#8220;Every Day Is A<br \/>\nWinding Road&#8221; were inspiration to director Steven Soderbergh.<br \/>\nBecause many of Crow&#8217;s songs deal with blue-collar characters, her<br \/>\nsongs are a perfect compliment to this soundtrack.<\/p>\n<p>If you are not a fan of new-age classical music,<br \/>\n<i>Erin Brockovich<\/i> may not be the best soundtrack to invest in.<br \/>\nHowever, the soundtrack serves the ultimate purpose of a good<br \/>\nsoundtrack: the music automatically recalls to the listener when<br \/>\nand where they were in the film when they first heard it.<\/p>\n","protected":false},"author":7,"featured_media":28043,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5615],"class_list":["post-39436","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39436"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39436\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28043"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39436"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39436"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}