{"id":39438,"date":"2001-03-08T00:00:00","date_gmt":"2001-03-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/j-lo\/"},"modified":"2001-03-08T00:00:00","modified_gmt":"2001-03-08T00:00:00","slug":"j-lo","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/j-lo\/","title":{"rendered":"J. Lo"},"content":{"rendered":"<p>I am sick of living in countries where they don&#8217;t allow refunds<br \/>\nfor mediocre music. Dear Music Industry: your albums are CRAP. YOU<br \/>\nare crap. There is probably no other industry that doesn&#8217;t allow<br \/>\nyou to get refunds of unsatisfactory products, and probably no<br \/>\nother industry that overprices its products as themusic industry<br \/>\ndoes; it&#8217;s common knowledge that it&#8217;s cheaper to produce a CD than<br \/>\na cassette tape. A recent<br \/>\n<i>Asian Wall Street Journal<\/i> article reported that the EU is<br \/>\ninvestigating this matter as we speak. Industry insiders claim that<br \/>\n&#8220;the product is worth the price we put on it.&#8221;<\/p>\n<p>Bullshit. Here&#8217;s the artist to prove it.<\/p>\n<p>Jennifer Lopez is a stage-trained singer with an R&#038;B<br \/>\nbackground, who&#8217;s done some Broadway work. Note Broadway; emphasis<br \/>\nhere would be projection, not soul or emotion. Her previous effort<br \/>\n<i>On The 6<\/i> was filled with her banal, vanilla and flat voice<br \/>\nthat was layered under more production effects than Britney Spears<br \/>\nand Cher combined.<br \/>\n<i>J. Lo<\/i> offers no improvement.<\/p>\n<p>The reliance on production is heavy. &#8220;Walking On Sunshine&#8221; might<br \/>\nhave worked if Lopez had a stronger voice. So is &#8220;Ain&#8217;t It Funny&#8221;,<br \/>\nwhich is otherwise tightly produced. Let me lump together the<br \/>\nSimply Boring songs here right away: &#8220;Come Over&#8221; is just slow and<br \/>\nboring, &#8220;Talk To Me&#8221; is more inanity, &#8220;I&#8217;m Gonna Be Alright&#8221; (of<br \/>\narguable spelling) and &#8220;That&#8217;s The Way&#8221; are such obvious fillers<br \/>\nyou just want to smack the upside of Tommy Mottola&#8217;s head for<br \/>\ninsulting your intelligence. &#8220;Dance With Me&#8221; STILL more boring&#8230;<br \/>\nall these songs are about going to clubs, what happens in clubs,<br \/>\nclubs clubs clubs, as if the rest of life, history, the Space<br \/>\nStation and hunger in Africa just fades away into irrelevance.<\/p>\n<p>But the banal ersatz Latin-groove songs have got to be the<br \/>\nworst. &#8220;Carino&#8221; (sorry, can&#8217;t get Spanish-language accent marks on<br \/>\nKorean Windows 98) and &#8220;Dame&#8221; are seriously banal, with or without<br \/>\nher voice; do they think just Spanish lyrics, trumpets and a beat<br \/>\nspells automatic &#8220;Latin&#8221;? Spiritless, pointless fillers, as is the<br \/>\nclosing track &#8220;Si Ya Se Acabo&#8221;. No wonder she&#8217;s not a hit in<br \/>\nMexico.<\/p>\n<p>&#8220;That&#8217;s Not Me&#8221; has some hope as it compensates for her voice by<br \/>\nlayering, and layering, and layering her vocals so it gives an<br \/>\nIMPRESSION of strength, like an R&#038;B version of Enya, but<br \/>\nDestiny&#8217;s Child does it better and besides, it won&#8217;t save her in<br \/>\nthe end. &#8220;Secretly&#8221; sounds like a pre-<br \/>\n<i>Control<\/i> Janet Jackson throwaway&#8230; a bizarre example<br \/>\n(bizaare because it&#8217;s unexpected) of &#8220;bubblegum pop&#8221; as defined in<br \/>\nthe early 80&#8217;s.<\/p>\n<p>If there is a single song of merit on the entire album it&#8217;s<br \/>\n&#8220;Love Don&#8217;t Cost A Thing&#8221;, which overcomes her voice problems by<br \/>\nlayering, layering, layering and even more layering. She won&#8217;t get<br \/>\naway with this for long, and one good track with something like<br \/>\nseventeen fillers does not a good album make.<\/p>\n<p>Because I apparently do not have the right to demand a refund or<br \/>\nan apology, I exercise my right to free speech here to compensate:<br \/>\n<b><br \/>\n<i>Do Not Buy This Album<\/i><br \/>\n<\/b> . It&#8217;s really, really bad. I give Jennifer Lopez the honor of<br \/>\nrecieving my first F review.<\/p>\n","protected":false},"author":3,"featured_media":28045,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7602],"rating":[5620],"class_list":["post-39438","review","type-review","status-publish","has-post-thumbnail","artist-jennifer-lopez","rating-rating-f"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39438"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28045"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39438"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39438"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}