{"id":39439,"date":"2001-03-09T00:00:00","date_gmt":"2001-03-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-the-moment\/"},"modified":"2001-03-09T00:00:00","modified_gmt":"2001-03-09T00:00:00","slug":"this-is-the-moment","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-the-moment\/","title":{"rendered":"This Is The Moment"},"content":{"rendered":"<p>Imagine this: You&#8217;re Donny Osmond. You&#8217;re recording a CD<br \/>\nfeaturing your renditions of songs from popular Broadway shows,<br \/>\n<i>This Is The Moment<\/i>. Wouldn&#8217;t you choose to include something<br \/>\nfrom your days in<br \/>\n<i>Joseph And The Amazing Technicolor Dreamcoat<\/i>?<\/p>\n<p>Maybe I shouldn&#8217;t be surprised that Osmond doesn&#8217;t reprise any<br \/>\nof the songs he sang for over 18 months nonstop. After all, this<br \/>\ndisc gives him a chance to stretch his creative legs and put his<br \/>\nown spin on 13 selections from such musicals as<br \/>\n<i>Rent<\/i>,<br \/>\n<i>Jekyll &#038; Hyde<\/i> and<br \/>\n<i>Sweeney Todd<\/i>. Even if you&#8217;re not a fan of Osmond&#8217;s, you have<br \/>\nto admit he&#8217;s got the perfect voice for these selections. But for<br \/>\nall the praise I can offer<br \/>\n<i>This Is The Moment<\/i> (and there is much), I do find myself<br \/>\nwishing that most of these songs hadn&#8217;t had a pop spin put on<br \/>\nthem.<\/p>\n<p>Oh, it&#8217;s not that Osmond isn&#8217;t up to the challenge; he lovingly<br \/>\ntakes on these songs as if he had been cast in the roles which<br \/>\nsurrounded these numbers. Hearing him take on &#8220;This Is The Moment&#8221;<br \/>\n(from<br \/>\n<i>Jekyll &#038; Hyde<\/i>), &#8220;Immortality&#8221; (from<br \/>\n<i>Saturday Night Fever<\/i>) and &#8220;Our Kind Of Love&#8221; (from<br \/>\n<i>The Beautiful Game<\/i>) convinces me that Osmond could easily<br \/>\nstep into any role and turn it into something special. Even when he<br \/>\ntakes a classic like &#8220;Luck Be A Lady&#8221; (from<br \/>\n<i>Guys &#038; Dolls<\/i>), he&#8217;s able to transcend all other versions<br \/>\nand make this particular song sound like this was the first time it<br \/>\nwas ever being committed to tape.<\/p>\n<p>And it&#8217;s not that the pop stylings (as well as the production of<br \/>\nPhil Ramone) aren&#8217;t suitable at times. The two selections from<br \/>\n<i>Seussical<\/i>, &#8220;It&#8217;s Possible&#8221; and &#8220;Solla Sollew,&#8221; both work<br \/>\nwell with this approach. (I still have the soundtrack to Seussical<br \/>\nto review &#8211; no, Beth, I haven&#8217;t forgotten &#8211; and it will be<br \/>\ninteresting to compare the two versions.) Likewise, both Osmond and<br \/>\nRamone know when to respect a song&#8217;s roots and leave the pop feel<br \/>\nat the door, a prime example being &#8220;At The Edge Of The World&#8221; (from<\/p>\n<p><i>Riverdance On Broadway<\/i>).<\/p>\n<p>There are but two mistakes made on<br \/>\n<i>This Is The Moment<\/i>. The first is the selection of &#8220;Give My<br \/>\nRegards To Broadway&#8221; (from<br \/>\n<i>Little Johnny Jones<\/i>) for inclusion on this disc. It&#8217;s a nice<br \/>\ntry, but even Osmond can&#8217;t bring this tired old song back to life.<br \/>\nIt might have been better for everyone involved to have selected<br \/>\nsomething else than to try and milk this one for all it was worth.<br \/>\nThe second comes on &#8220;You&#8217;ve Got A Friend In Me&#8221; (from the movie<br \/>\n<i>Toy Story<\/i>). I&#8217;m sorry, but if I never hear Rosie O&#8217;Donnell<br \/>\nsing again, it will be too soon.<\/p>\n<p>As Osmond moves into middle age, he continues to prove that the<br \/>\nolder he gets, the richer his voice becomes, making his work that<br \/>\nmuch more impressive.<br \/>\n<i>This Is The Moment<\/i>, even with the two ill-advised selections<br \/>\n(which I don&#8217;t blame on Osmond), is ample proof that Osmond is well<br \/>\ndeserving of the accolades he receives, and will be a nice addition<br \/>\nto the collections of fans of Broadway music, as well as<br \/>\nadult-contemporary pop.<\/p>\n","protected":false},"author":2,"featured_media":28046,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6041],"rating":[5617],"class_list":["post-39439","review","type-review","status-publish","has-post-thumbnail","artist-donny-osmond","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39439"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39439\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28046"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39439"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39439"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}