{"id":39441,"date":"2001-03-11T00:00:00","date_gmt":"2001-03-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/van-zant-ii\/"},"modified":"2001-03-11T00:00:00","modified_gmt":"2001-03-11T00:00:00","slug":"van-zant-ii","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/van-zant-ii\/","title":{"rendered":"Van Zant II"},"content":{"rendered":"<p>It seems like it would be the perfect meeting of two Southern<br \/>\nRock powers, pairing Johnny Van Zant (Lynyrd Skynyrd) and his<br \/>\nbrother Donnie (38 Special) together. It&#8217;s already been done once,<br \/>\non<br \/>\n<i>Brother To Brother<\/i> a few years ago &#8211; one of the few discs<br \/>\nout of the CMC stable I haven&#8217;t checked out.<\/p>\n<p>Now the brothers meet again for<br \/>\n<i>Van Zant II<\/i>, a disc that tries not to be either Skynyrd or<br \/>\n38 Special &#8211; and the end result is near chaos.<\/p>\n<p>Mind you, I&#8217;m not against the brothers Van Zant doing albums<br \/>\ntogether; both have incredible voices and are talented singers in<br \/>\ntheir own right. But it sometimes feels like they&#8217;re trying to<br \/>\nleave their musical roots behind and step out onto a path that is<br \/>\nless familiar to them. Oh, sure, had they made an album that<br \/>\nsounded like Lynyrd Skynyrd or 38 Special, someone would have<br \/>\ncomplained that they were resting on their laurels. After hearing<br \/>\nthe bulk of<br \/>\n<i>Van Zant II<\/i>, I know that&#8217;s exactly where I&#8217;d prefer them to<br \/>\nbe.<\/p>\n<p>Right from the get-go, you can tell this is a troubled album.<br \/>\nPart of the problem is that both Van Zants are so good that it&#8217;s<br \/>\nhard to know when each individual singer should be in the driver&#8217;s<br \/>\nseat. Having both sing at the same time, especially when harmony<br \/>\nvocals are eschewed, is merely a recipe for disaster, as &#8220;Oklahoma&#8221;<br \/>\nproves.<\/p>\n<p>But part of the problem is also in the songwriting, something<br \/>\nboth Van Zant brothers and producer Robert White Johnson can share<br \/>\nthe blame for. Many of the songs on<br \/>\n<i>Van Zant II<\/i> don&#8217;t even sound like the &#8220;B&#8221; material for<br \/>\neither of their respected groups. Instead, tracks such as &#8220;At Least<br \/>\nI&#8217;m Free,&#8221; &#8220;Imagination,&#8221; &#8220;Get What You Got Comin'&#8221; and &#8220;Baby Get<br \/>\nBlue&#8221; all sound like they were written for someone else and tackled<br \/>\nby the Van Zants. Had both Johnny and Donnie Van Zant not been<br \/>\nsongwriters for all 10 tracks (though Donnie Van Zant seems to be<br \/>\nthe main songwriter of the two), I&#8217;d think that was the case. Even<br \/>\nthe guitar talents of Kenny Wayne Shepherd on two tracks seems<br \/>\nwasted.<\/p>\n<p>This isn&#8217;t to say that all of<br \/>\n<i>Van Zant II<\/i> is a waste. There is a light of hope held out<br \/>\nearly on with the track &#8220;Heart Of An Angel,&#8221; a song which<br \/>\nadmittedly has to grow on you a bit. But the real fireworks are<br \/>\nsaved for the closing tracks of the album. &#8220;What&#8217;s The World Coming<br \/>\nTo&#8221; begins to have the feel of a classic Southern Rock band<br \/>\n(reminding me a little bit of the solo work of Warren Haynes),<br \/>\nwhile &#8220;Alive&#8221; (the only track co-written with Jim Peterik) shows<br \/>\nthe potential the Van Zants and their backing band had throughout<br \/>\nthis disc. &#8220;Wildside&#8221; is a lesser track of the three, but still<br \/>\nstands out among the carnage.<\/p>\n<p>It&#8217;s surprising that Johnny and Donnie Van Zant would miss the<br \/>\ntarget as they did on<br \/>\n<i>Van Zant II<\/i>. I&#8217;m told that<br \/>\n<i>Brother To Brother<\/i> was an amazing disc &#8211; and it makes me<br \/>\nwonder if it&#8217;s just impossible to recreate that initial magic.<\/p>\n","protected":false},"author":2,"featured_media":28048,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7603],"rating":[11205],"class_list":["post-39441","review","type-review","status-publish","has-post-thumbnail","artist-van-zant","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39441"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28048"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39441"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39441"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}