{"id":39455,"date":"2001-03-20T00:00:00","date_gmt":"2001-03-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lift\/"},"modified":"2001-03-20T00:00:00","modified_gmt":"2001-03-20T00:00:00","slug":"lift","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lift\/","title":{"rendered":"Lift"},"content":{"rendered":"<p>If you&#8217;ve never heard of the Chapman Stick, you&#8217;ve missed out on<br \/>\nsomething special in the world of music. A unique-looking item, you<br \/>\npress on the strings instead of plucking them, allowing you to play<br \/>\nthe instrument like a piano instead of a guitar. The Stick allows<br \/>\nyou two-handed access, meaning you can play treble and bass lines<br \/>\nat the same time. Tony Levin is one of the best-known performers<br \/>\nwho uses the Stick; I&#8217;ve seen John Myung of Dream Theater play one<br \/>\nin concert. I&#8217;ve even had the chance to try one out myself, though<br \/>\nI admit I looked at the instrument like a monkey trying to do a<br \/>\nmath problem.<\/p>\n<p>Greg Howard is called one of the instrument&#8217;s best players, and<br \/>\nhas several albums&#8217; worth of Stick-related music out.<br \/>\n<i>Lift<\/i>, the latest from the Greg Howard Band, has a few<br \/>\nmoments of greatness, but otherwise comes off sounding like Dave<br \/>\nMatthews Band trying to play smooth jazz.<\/p>\n<p>Admittedly, the sound of this group is one you have to get used<br \/>\nto; the &#8220;guitar player&#8221; you think you hear is actually Howard on<br \/>\nthe Stick. Yet Howard isn&#8217;t the person who remains in the spotlight<br \/>\nthroughout this disc; his bandmates &#8211; drummer\/percussionist Jan<br \/>\nWolfkamp, saxophonist\/violinist Hubert Heeringa, and bassist Jan<br \/>\nvan Olffen &#8211; take their time in front of the band, as does guest<br \/>\nsaxophonist Louis Gerrits.<\/p>\n<p>This might actually be the problem with<br \/>\n<i>Lift<\/i>. It&#8217;s not that these musicians aren&#8217;t talented; rather,<br \/>\nit&#8217;s that the Stick becomes part of the rhythmic backbone, not the<br \/>\ncenterpiece of the disc as I would have expected. Add into this mix<br \/>\na strange eclectic mix of jazz and pseudo new-age, and the<br \/>\nresulting disc is less than satisfying.<\/p>\n<p>Oh, it isn&#8217;t that the band doesn&#8217;t try. But songs like<br \/>\n&#8220;Dissent,&#8221; &#8220;Still Water&#8221; and &#8216;Cross Country&#8221; lack any real spark<br \/>\nthat would make the listener feel as if they were a part of<br \/>\nsomething special. Instead, the performances sound rote, and the<br \/>\nresult is a tad boring.<\/p>\n<p>Not all of the music on<br \/>\n<i>Lift<\/i> falls into this trap. The disc&#8217;s closer, &#8220;Experimental<br \/>\nSunrise,&#8221; sounds as if it&#8217;s three songs welded together &#8211; and it&#8217;s<br \/>\nan effect that works well, the tempo and stylistic changes becoming<br \/>\nlike a breath of fresh air when the listener needs it most. The<br \/>\nalbum wouldn&#8217;t have worked if all the songs were like this, but<br \/>\nthis particular example works well. Some of the shorter songs, like<br \/>\n&#8220;Restless&#8221; and &#8220;Nord,&#8221; also seem to sound revitalized, as if the<br \/>\nband was trying to make their statement in an abbreviated length of<br \/>\ntime.<\/p>\n<p>\n<i>Lift<\/i> could have been a great CD, with more controlled<br \/>\nsongwriting and more of an emphasis on the Stick. As it is now,<br \/>\nit&#8217;s a bit listless and droning, with flashes of clarity that show<br \/>\nthe listener what this disc could have been. If only<br \/>\n<i>Lift<\/i> didn&#8217;t come crashing down to earth as it has.<\/p>\n","protected":false},"author":2,"featured_media":28061,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7612],"rating":[11204],"class_list":["post-39455","review","type-review","status-publish","has-post-thumbnail","artist-greg-howard-band","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39455"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39455\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28061"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39455"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39455"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39455"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}