{"id":39468,"date":"2001-03-27T00:00:00","date_gmt":"2001-03-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/they-live\/"},"modified":"2001-03-27T00:00:00","modified_gmt":"2001-03-27T00:00:00","slug":"they-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/they-live\/","title":{"rendered":"They Live"},"content":{"rendered":"<p>Would Wise Monkey Orchestra be offended if I were to call them a<br \/>\npoor man&#8217;s Phish?<\/p>\n<p>I sure hope not, since it&#8217;s meant as somewhat of a compliment.<br \/>\nThis eclectic sextet&#8217;s latest release, the live disc<br \/>\n<i>They Live<\/i>, suggests an amalgam of Phish, No Doubt and Frank<br \/>\nZappa, daring to push the musical envelope by musically staying on<br \/>\nthe fringe. It&#8217;s a dangerous place to be, since there&#8217;s not much of<br \/>\na musical safety net, but they do passably well. If only they could<br \/>\nsomehow capture the spark that would make them as catchy as any of<br \/>\nthe three previously-named artists and bands.<\/p>\n<p>Fronted by vocalist Riley, one can hear the influences<br \/>\nthroughout Wise Monkey Orchestra&#8217;s playing. The use of a woodwind<br \/>\nsection (including two guest saxophonists, Dave Ellis and Robbie<br \/>\nHelm) combined with the jazzy guitar playing of Marty Schwartz<br \/>\n(think Zappa&#8217;s &#8220;City Of Tiny Lights&#8221;) makes for an interesting<br \/>\ncombination. And musically, Wise Monkey Orchestra is solid, casting<br \/>\nno doubt on the talents of these musicians.<\/p>\n<p>What is lacking, though, is a hook. Sure, tracks like &#8220;Movin&#8217;<br \/>\nFree&#8221; and &#8220;Colorblind&#8221; have moments of catchiness. But Wise Monkey<br \/>\nOrchestra sounds like they&#8217;re more interested in capturing the<br \/>\nmoment for themselves, devil may care whether the fans get on the<br \/>\nbus with them or not. This is what separates this group from their<br \/>\njam band counterparts &#8211; and what they do need to change. It doesn&#8217;t<br \/>\ndo them any good to lose their listeners while getting wrapped up<br \/>\nin the rhythm themselves; it works better when everyone is locked<br \/>\nin the same rhythm. Phish knows that; the Grateful Dead knew that.<br \/>\nMaybe this is just something that comes with the passage of<br \/>\ntime.<\/p>\n<p>This isn&#8217;t to say that the bulk of<br \/>\n<i>They Live<\/i> is bad; on the contrary, there are many moments of<br \/>\npromise throughout the disc. The trifecta of &#8220;Hell Ain&#8217;t For Me,&#8221;<br \/>\n&#8220;Space&#8221; (though nothing like what the Dead were known to do) and<br \/>\n&#8220;Brainchild&#8221; flows together well, while individual tracks like<br \/>\n&#8220;SLM&#8221; and &#8220;Demons&#8221; all have their moments.<\/p>\n<p>In the end, though, it&#8217;s the experience of the fans that<br \/>\nmatters, and it doesn&#8217;t feel like Wise Monkey Orchestra are always<br \/>\nopen to the idea of the fans joining them in the experience that is<br \/>\ntheir music.<br \/>\n<i>They Live<\/i> is a decent enough effort, but it merely suggests<br \/>\nwhat this band could accomplish, rather than what they already<br \/>\nhave. With a little more polish and a more fan-friendly eye towards<br \/>\nsong arrangements, they could have a chance of knocking Phish from<br \/>\nthe jam band throne.<\/p>\n","protected":false},"author":2,"featured_media":28074,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7617],"rating":[5612],"class_list":["post-39468","review","type-review","status-publish","has-post-thumbnail","artist-wise-monkey-orchestra","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39468"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39468\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28074"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39468"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39468"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}