{"id":39481,"date":"2001-04-02T00:00:00","date_gmt":"2001-04-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-mexican\/"},"modified":"2001-04-02T00:00:00","modified_gmt":"2001-04-02T00:00:00","slug":"the-mexican","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-mexican\/","title":{"rendered":"The Mexican"},"content":{"rendered":"<p>One of the biggest complaints I can have with a soundtrack is<br \/>\nthat the musical selections drag on for long past the point where<br \/>\nthey&#8217;re welcomed. Maybe the selections also aren&#8217;t that<br \/>\ninteresting, or they take a particular musical theme and bludgeon<br \/>\nit to death by repeating it ad nauseam.<\/p>\n<p>In the case of Alan Silvestri&#8217;s score for<br \/>\n<i>The Mexican<\/i> &#8211; yet another movie I have not seen &#8211; I don&#8217;t<br \/>\nhave this complaint. If anything, I&#8217;m complaining that the<br \/>\nselections are far too short.<\/p>\n<p>This might sound like a weird thing to say, but Silvestri&#8217;s<br \/>\ncompositions have enough charm on their own, but with most clocking<br \/>\nin at around the one to two-minute range, it often feels like an<br \/>\nidea is being stifled before it really had time to mature into<br \/>\nsomething special. It&#8217;s not that these short snippets are bad; it&#8217;s<br \/>\njust that I wanted to hear more.<\/p>\n<p>At times, Silvestri paints a picture of a film that could well<br \/>\nhave been a classic Western movie (&#8220;Blame Shifting,&#8221; &#8220;10% Clint&#8221;),<br \/>\nyet he keeps the flavor of the movie&#8217;s theme (&#8220;Oye,&#8221; &#8220;Oye, Oye,&#8221;<br \/>\nEsquivel&#8217;s &#8220;El Cable&#8221;). The flow of these tracks and musical themes<br \/>\nis as natural as a running stream, and Silvestri is able to tie<br \/>\nthese together well with even some more modern-sounding selections<br \/>\n(&#8220;Frank&#8217;s Dead,&#8221; &#8220;The Mexican,&#8221; &#8220;Airport&#8221;).<\/p>\n<p>Here&#8217;s where not seeing the movie hurts my judgment of the<br \/>\nsoundtrack. With all of these wonderful mood-setting pieces, what<br \/>\nis the purpose of including songs which, on the surface, don&#8217;t feel<br \/>\nlike they belong? Maybe I need to see the film in order to<br \/>\nunderstand how Nancy Sinatra&#8217;s &#8220;These Boots Are Made For Walkin&#8217;,&#8221;<br \/>\nWar&#8217;s &#8220;Why Can&#8217;t We Be Friends,&#8221; Men Without Hats&#8217;s &#8220;The Safety<br \/>\nDance&#8221; and Dean Martin&#8217;s &#8220;You&#8217;re Nobody &#8216;Til Somebody Loves You&#8221;<br \/>\nfit into the grand scheme of things. That all said, it&#8217;s nice to<br \/>\nhear some of these tracks again (namely War and Men Without<br \/>\nHats).<\/p>\n<p>One quick side note: My vote for &#8220;Best Song Title Of The Year&#8221; &#8211;<br \/>\n&#8220;A Good F&#8217;ing Reason&#8221;. &#8216;Nuff said.<\/p>\n<p>If<br \/>\n<i>The Mexican<\/i> is missing anything, I do wish some more of a<br \/>\nvocal presence, as on &#8220;Oye&#8221; and &#8220;Oye, Oye,&#8221; was included in this<br \/>\nmusic. It might have distracted from the action on the screen, but<br \/>\nsometimes, it feels like the music is calling for this one little<br \/>\naddition to the mix.<\/p>\n<p>Silvestri does succeed with<br \/>\n<i>The Mexican<\/i>, even if I don&#8217;t understand some song placement<br \/>\nand I find myself wishing that he had stretched out many of these<br \/>\nselections into some grandiose pieces. But this disc proves to be<br \/>\nquite the entertaining listen, and is well worth your time.<\/p>\n","protected":false},"author":2,"featured_media":28087,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5615],"class_list":["post-39481","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39481"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39481\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28087"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39481"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39481"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39481"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}