{"id":39482,"date":"2001-04-02T00:00:00","date_gmt":"2001-04-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/v-3\/"},"modified":"2001-04-02T00:00:00","modified_gmt":"2001-04-02T00:00:00","slug":"v-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/v-3\/","title":{"rendered":"V"},"content":{"rendered":"<p>Say this for Spock&#8217;s Beard; they keep you guessing.<\/p>\n<p>Progressive rock has one huge fault; going to extremes. If you<br \/>\ngo too far into the ozone, you end up with twenty-nine minute<br \/>\nkeyboard flatulations. (See a good deal of Yes&#8217;s catalog,). If you<br \/>\ngo too far towards the four minute world of radio play, you<br \/>\nget\u2026well\u2026pop music. (See Alan Parsons&#8217;<br \/>\n<i>Ammonia Avenue<\/i> CD.)<\/p>\n<p>By the time their last CD,<br \/>\n<i>Day From Night<\/i>, came out, the boys in the Beard had gotten<br \/>\nthe balance down pat. Quick, tight songs like &#8220;Skin&#8221; balanced<br \/>\nperfectly with longer opii like &#8220;Crack The Big Sky&#8221;. So the<br \/>\nquestion remained, as I put<br \/>\n<i>V<\/i> on my CD player for the first time, could the balance be<br \/>\nmaintained?<\/p>\n<p>Well\u2026like I said, they keep you guessing. The answer is<br \/>\nno. Not really. Except\u2026well\u2026<\/p>\n<p>I hate reviewing CDs like this.<\/p>\n<p>See, it&#8217;s all in how you phrase the question. If you ask, &#8220;Is<br \/>\n<i>V<\/i> a good progressive rock CD, as most progressive fans view<br \/>\nthe genre?&#8221; the answer is, &#8220;Yes&#8221;. If you ask, &#8220;Hey, Duke, we know<br \/>\nyou&#8217;re a schmuck, but tell us, did you like this as well as<br \/>\n<i>Day From Night<\/i>?&#8221;, the answer is, &#8220;Uh, no.&#8221;<\/p>\n<p>What Spock&#8217;s Beard did right was, as usual, stellar<br \/>\nmusicianship. I think SB may be the single most talented group of<br \/>\npure musicians currently performing, and they nail every single<br \/>\nthing they try to do on<br \/>\n<i>V<\/i>. Every note, every riff, every bizarre shift to new<br \/>\nweirdness (say, the Spanish guitar and organ break on &#8220;At The End<br \/>\nOf The Day&#8221; or the Ets-ate-my-string-quartet intro to &#8220;Revelation&#8221;)<br \/>\nworks. It&#8217;s like watching Mark McGwire hit a home run or Michael<br \/>\nJordan dunk; it&#8217;s perfection so matter-of-fact you grow to expect<br \/>\nit. My only criticism is for keyboardist Ryo Okumoto: yes, Kansas<br \/>\nhad some neat organ parts, didn&#8217;t they? Do you have to sound THAT<br \/>\nmuch like a refugee from<br \/>\n<i>Leftoverture<\/i>? Right, it&#8217;s minor, move on.<\/p>\n<p>What they did wrong is harder to quantify. There aren&#8217;t any bad<br \/>\nsongs on this disc, but I knew we were in trouble when after three<br \/>\nlistens I went, &#8220;What was the name of that song again?&#8221; There&#8217;s<br \/>\njust not much identity or passion to<br \/>\n<i>V<\/i>. It&#8217;s clinical to the point of being almost\u2026but not<br \/>\nquite\u2026sterile. This is the hardest thing for a music critic<br \/>\nto describe; when you listen to a CD and it sounds OK, it seems OK,<br \/>\nbut there&#8217;s somehow a heart missing to it that you can&#8217;t quantify.<br \/>\nAll I can say is what I&#8217;ve said. There&#8217;s something missing. Only<br \/>\n&#8220;Revelation&#8221; and &#8220;Goodbye To Yesterday&#8221; come close to showing real<br \/>\npassion.<\/p>\n<p>Spock&#8217;s Beard is one of my favorite bands, and it&#8217;s hard to give<br \/>\nthem a review that&#8217;s less that glowing. But in this case, it&#8217;s not<br \/>\nas good as it could be, and it&#8217;s missing something.<br \/>\n<i>V<\/i> still is recommended for Spock&#8217;s Beard fans and<br \/>\nprogressive rock fans, but if you want an introduction to what Neal<br \/>\nMorse and company are capable of, stick to<br \/>\n<i>Day For Night<\/i>.<\/p>\n","protected":false},"author":18,"featured_media":28088,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6237],"rating":[5615],"class_list":["post-39482","review","type-review","status-publish","has-post-thumbnail","artist-spocks-beard","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39482"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39482\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28088"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39482"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39482"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39482"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}