{"id":39485,"date":"2001-04-03T00:00:00","date_gmt":"2001-04-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/smart-ass\/"},"modified":"2001-04-03T00:00:00","modified_gmt":"2001-04-03T00:00:00","slug":"smart-ass","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/smart-ass\/","title":{"rendered":"Smart Ass"},"content":{"rendered":"<p>Mitch Ryder remains an enigma to me. At the time I&#8217;m writing<br \/>\nthis, I&#8217;ve reviewed two of Ryder&#8217;s albums, and have see-sawed<br \/>\nbetween declaring them absolute trash and significant improvements.<\/p>\n<p><i>Smart Ass<\/i>, Ryder&#8217;s 1982 release, meets those worlds half-way<br \/>\n&#8211; though the sodomy images off<br \/>\n<i>How I Spent My Vacation<\/i> are thankfully left in the past.<br \/>\n(Sorry, Mitch, but one doesn&#8217;t just wash away such a mental image<br \/>\neasily.)<\/p>\n<p>On one hand, Ryder&#8217;s stripped-down production of this disc<br \/>\n(which he explains on J-Bird Records&#8217;s web site was due to limited<br \/>\nfunds) hampers his ability to get his musical point across &#8211; yet at<br \/>\ntimes this sparse sound works to the music&#8217;s advantage. Some of<br \/>\nthese tracks are almost immediately forgettable, yet others are<br \/>\nones you won&#8217;t forget for a while. If it sounds like I&#8217;m creating<br \/>\nparadoxes, then you are beginning to understand<br \/>\n<i>Smart Ass<\/i>, an album which is a paradox in and of itself.<\/p>\n<p>On the one hand, there&#8217;s some material on this disc which shows<br \/>\njust how talented a songwriter Ryder is and how much of an<br \/>\ninfluence he could have been on the music scene had people in the<br \/>\nStates been willing to listen back then. &#8220;One Room World&#8221; is a<br \/>\nlovely yet disturbing ode to the horror we all eventually face &#8211;<br \/>\nnamely, growing old &#8211; and the possibility of having to face that<br \/>\nhorror alone. &#8220;Hands High&#8221; could well be seen as autobiographical,<br \/>\ndocumenting Ryder&#8217;s return to the musical scene after a<br \/>\nself-imposed hiatus back in the &#8217;70s and how he wants to enjoy the<br \/>\nexperience this time. &#8220;Berlin&#8221; could well have been a foretelling<br \/>\nof the eventual fall of the Berlin Wall, and is a song that cries<br \/>\nout against violence which tears people (who are otherwise similar<br \/>\nin many ways) apart.<\/p>\n<p>Yet there is material on<br \/>\n<i>Smart Ass<\/i> which seems to counteract the good intentions of<br \/>\nRyder. &#8220;Hot House&#8221; and &#8220;You Better Stop It&#8221; do sound like they were<br \/>\nvictims of a budget crunch, having neither the solid songwriting<br \/>\nnor the musical crispness to them that would otherwise make them<br \/>\npotential stand-outs on this disc. Either drummer Al Wotton played<br \/>\nlike he was doing a &#8220;Space Invaders&#8221; imitation, or the impression<br \/>\nof sparse trap work is because he wasn&#8217;t turned high up enough in<br \/>\nthe mix.<\/p>\n<p>\n<i>Smart Ass<\/i> is a relatively short listen and does highlight<br \/>\nsome very solid work from Ryder. But it also showed his weaknesses,<br \/>\nand those tracks should be approached with some sense of caution.<br \/>\nStill, it&#8217;s worthwhile to check out, if only to hear what the voice<br \/>\nbehind &#8220;Devil With The Blue Dress On&#8221; was tackling in the early<br \/>\n&#8217;80s.<\/p>\n","protected":false},"author":2,"featured_media":28091,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6479],"rating":[5614],"class_list":["post-39485","review","type-review","status-publish","has-post-thumbnail","artist-mitch-ryder","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39485"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39485\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28091"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39485"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39485"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}