{"id":39489,"date":"2001-04-04T00:00:00","date_gmt":"2001-04-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whip-it-baby\/"},"modified":"2001-04-04T00:00:00","modified_gmt":"2001-04-04T00:00:00","slug":"whip-it-baby","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whip-it-baby\/","title":{"rendered":"Whip It Baby"},"content":{"rendered":"<p>Ever since No Doubt struck it big with their album<br \/>\n<i>Tragic Kingdom<\/i>, I&#8217;ve been waiting for someone to pick up on<br \/>\nthe ska influence that ran as a vein with No Doubt. Surely someone<br \/>\nwould eventually try to repeat the success by capitalizing on the<br \/>\ndanceable sound of this form of reggae.<\/p>\n<p>Boston-based Lovewhip has done just that, relying on the<br \/>\nshuffle-like beat of ska and a bare-bones horn section. Their disc<br \/>\n<i>Whip It Baby!<\/i> tries to beat No Doubt at their own game, even<br \/>\nthrowing in some African rhythms, but in the end, the only words<br \/>\none could say to the group would be, &#8220;Nice try.&#8221;<\/p>\n<p>It&#8217;s not that vocalist\/guitarist Erin Harpe and crew don&#8217;t have<br \/>\nthe style of the music down; rhythmically, they do a very good job<br \/>\nlaying down a groove that even Frankenstein could dance to. But<br \/>\nwhat they are lacking is a sense of magic that lifts the music to a<br \/>\nnew level. In the end,<br \/>\n<i>Whip It Baby!<\/i> sounds like a carbon copy of what other groups<br \/>\nhave already perfected.<\/p>\n<p>There are moments where such a synthesis of Carribean rhythms<br \/>\nand African beats and chants does succeed. &#8220;Buana Juju&#8221; has an<br \/>\ninfectious style to it, making sure that the listener is locked in<br \/>\nfor the length of the song. It almost has a Paul Simon-like quality<br \/>\nto it, especially in the guitars. Maybe that&#8217;s the best way to<br \/>\ndescribe what Lovewhip is trying to accomplish here: No Doubt<br \/>\ntrying to record<br \/>\n<i>Graceland<\/i>.<\/p>\n<p>If only all the songs were as successful as &#8220;Buana Juju&#8221; is. For<br \/>\nthe most part,<br \/>\n<i>Whip It Baby!<\/i> is filled with half-developed ideas that could<br \/>\nhave been great, had one thing or another been augmented. A<br \/>\ndifferent lyric style here, a better beat there, stronger vocals<br \/>\n(or at least with greater range) than what Harpe offers in other<br \/>\nplaces, the list goes on.<\/p>\n<p>Tracks like &#8220;Oh Dear Jehu&#8221; and &#8220;Come Down J.J.&#8221; do, admittedly,<br \/>\nget a little better with repeat listens. But despite all the band&#8217;s<br \/>\nefforts, the bulk of these tracks are missing some intangible thing<br \/>\nthat would kick them up to the next level. This is what is<br \/>\ndifficult about reviewing a CD like<br \/>\n<i>Whip It Baby!<\/i>: it&#8217;s too easy to say something&#8217;s missing, but<br \/>\nit&#8217;s damn near impossible to say just what that something is. It&#8217;s<br \/>\na style, an attitude, a feeling &#8211; something you can neither put<br \/>\nyour hands on nor attempt to fake.<\/p>\n<p>This doesn&#8217;t mean that<br \/>\n<i>Whip It Baby!<\/i> is a bad release; repeat listens do show the<br \/>\npromise this group has. (Clocking in at just over 30 minutes, this<br \/>\ndisc at least lends itself to multiple listens.) But what Lovewhip<br \/>\nneeds to do is to hunker back down, work on really crafting their<br \/>\nstyle, and coming out of the box the next time with a sound and<br \/>\ngroove that would blow a hurricane back into the sea. Until then,<br \/>\n<i>Whip It Baby!<\/i> is an okay attempt, but it seems to suggest<br \/>\nthat Lovewhip could have done so much more.<\/p>\n","protected":false},"author":2,"featured_media":28095,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7624],"rating":[5614],"class_list":["post-39489","review","type-review","status-publish","has-post-thumbnail","artist-lovewhip","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39489"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39489\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28095"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39489"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39489"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}