{"id":39490,"date":"2001-04-04T00:00:00","date_gmt":"2001-04-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/no-stranger-to-a-tele\/"},"modified":"2001-04-04T00:00:00","modified_gmt":"2001-04-04T00:00:00","slug":"no-stranger-to-a-tele","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/no-stranger-to-a-tele\/","title":{"rendered":"No Stranger To A Tele"},"content":{"rendered":"<p>Redd Volkaert might not look like the kind of guy who could make<br \/>\na Telecaster sing; if anything, the burly Canadian looks like<br \/>\nsomeone who cut down the tree that his guitar was made from.<\/p>\n<p>But fans of country music know better. Volkaert has been a<br \/>\nmember of Merle Haggard&#8217;s band since 1997, and has been one of the<br \/>\nmost in-demand session men in Nashville. His second solo CD,<br \/>\n<i>No Stranger To A Tele<\/i>, demonstrates his skill on the<br \/>\nsix-string with amazing results.<\/p>\n<p>At times, this disc has the feel of one of the old instrumental<br \/>\nalbums you&#8217;d find in your parents&#8217; record collection. (No, that&#8217;s<br \/>\nnot unhip to say; there were a lot of records my parents had like<br \/>\nthis that I still enjoy listening to.) Tracks like &#8220;Diminishing<br \/>\nFlames&#8221; and the title track do have that retro feel to them, and<br \/>\nare surprisingly easy to get hooked on. Volkaert nicely manages to<br \/>\nput a vintage sound on moder-day recording; it&#8217;s like you get the<br \/>\nmemories of yesterday without the pops and skips of a record!<\/p>\n<p>At first, I actually found myself disappointed that<br \/>\n<i>No Stranger To A Tele<\/i> was not strictly an instrumental<br \/>\nalbum; Volkaert is such a talented guitarist that he could easily<br \/>\ndo an album without vocals and make it a disc you&#8217;d want to again<br \/>\nthe moment the last song faded out. But Volkaert&#8217;s rich bass voice<br \/>\nwins out over even the harshest critic, again creating a retro feel<br \/>\nto his style of country on songs like &#8220;End Of The Line,&#8221; &#8220;Big Big<br \/>\nLove,&#8221; &#8220;Back To Back&#8221; and &#8220;Conscience Turn Your Back&#8221;.<\/p>\n<p>What&#8217;s more, fun is the name of the game on this disc &#8211; and it&#8217;s<br \/>\neasy to tell that Volkaert was having the time of his life<br \/>\nrecording this. Just the way he delivers the final &#8220;get out&#8221; on<br \/>\n&#8220;End Of The Line,&#8221; you know that even though he says it with<br \/>\nseriousness, he meant for the listener to smile the moment he said<br \/>\nit. Likewise, the brief comments on songs like &#8220;Drewpster&#8221; and<br \/>\n&#8220;Chee-Z&#8221; will make you show off your pearly whites.<\/p>\n<p>Even in the instrumental works, fun is the key ingredient on<br \/>\n<i>No Stranger To A Tele<\/i>. Listen to &#8220;T&#8217;wango&#8221; and feel like<br \/>\nyou&#8217;re listening to a modern-day rock guitarist before you&#8217;re<br \/>\npulled back to the heart of the song. It&#8217;s incredible what Volkaert<br \/>\nallows himself to get away with on this disc &#8211; yet it all comes<br \/>\ntogether like clockwork.<\/p>\n<p>Volkaert might not be a household name, but<br \/>\n<i>No Stranger To A Tele<\/i> should be the disc that introduces him<br \/>\nto a whole new audience. Well? Don&#8217;t be a stranger. Pick this disc<br \/>\nup and invite Volkaert in&#8230; then hang on to the sides of your<br \/>\nchair as he takes you for a wonderful ride.<\/p>\n","protected":false},"author":2,"featured_media":28096,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7625],"rating":[5613],"class_list":["post-39490","review","type-review","status-publish","has-post-thumbnail","artist-redd-volkaert","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39490"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39490\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28096"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39490"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39490"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}