{"id":39494,"date":"2001-04-06T00:00:00","date_gmt":"2001-04-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/here-they-go-again\/"},"modified":"2001-04-06T00:00:00","modified_gmt":"2001-04-06T00:00:00","slug":"here-they-go-again","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/here-they-go-again\/","title":{"rendered":"Here They Go Again"},"content":{"rendered":"<p>I&#8217;m used to record label hype but I&#8217;ve just received the lowest<br \/>\nof the low in this tactic. In this particular case, SPV has gone<br \/>\ntoo far and I&#8217;m about to call them on it.<\/p>\n<p>The liner notes for the latest Company Of Snakes release<br \/>\n<i>Here They Go Again &#8211; Live<\/i> acts as if the world has been<br \/>\nsalivating in anticipation for this release. I get that impression<br \/>\nfrom the press release that states such rubbish as, &#8220;If you ask<br \/>\npeople concerned professionally with the rock music scene which, in<br \/>\ntheir opinion, was the most important and influential line-up of<br \/>\nthe now defunct British heavy rock formation, Whitesnake, most<br \/>\npeople would probably list the original line-up of David Coverdale,<br \/>\nBernie Marsden, Mickey Moody and Neil Murray. It was in this<br \/>\nconstellation which helped Whitesnake attain extraordinary success<br \/>\nfrom 1978 to 1982, during which time the released such great albums<br \/>\nas<br \/>\n<i>Northwinds<\/i>,<br \/>\n<i>Snakebite<\/i>,<br \/>\n<i>Trouble<\/i> [and 6 others].&#8221;<\/p>\n<p>I admit that I grew up with the widespread commercial success of<br \/>\nWhitesnake in a culture that never heard of the band before 1984&#8217;s<br \/>\n<i>Slide It In<\/i>. I admit, fully, my bias in the &#8220;new&#8221;<br \/>\nWhitesnake. It should, therefore, come as no surprise that I think<br \/>\nthe press for this release is flat out stupid. In my opinion, and<br \/>\nif &#8220;concerned professionally&#8221; means I have gotten money for writing<br \/>\nabout music, I&#8217;m qualified, Whitesnake had zero success in the<br \/>\nUnited States until 1984&#8217;s<br \/>\n<i>Slide It In<\/i> release and no widespread success until their<br \/>\n1987 self-titled release. &#8220;Extraordinary success from 1978 to<br \/>\n1982&#8221;? Hmmph.<\/p>\n<p>So, obviously, since I made the mistake of reading the press<br \/>\npacket for this release prior to listening to the two CDs of this<br \/>\nrelease, I was in a foul mood. And hearing a band play material<br \/>\nthat sounds like Whitesnake just made my foul mood worse. The music<br \/>\nis executed rather tightly. Drummer John Lingwood, who the press<br \/>\nmaterial describes as &#8220;A popular artiste constantly in demand,<br \/>\nwhoxse curriculum vitae already included such names as Manfred<br \/>\nMann&#8217;s Earthband, Roger Chapman and Elkie Brooks,&#8221; nails the two<br \/>\nand four beats with precision. Sorry, I&#8217;ve heard of the first of<br \/>\nthose three bands, but not the last two. Vocalist Stefan Berggren<br \/>\nsounds, well, like Coverdale in a lot of spots.<\/p>\n<p>Out of the two CDs, I found the old Whitesnake songs to be<br \/>\nhandled the best, especially the stellar &#8220;Here I Go Again&#8221; and &#8220;Is<br \/>\nThis Love.&#8221; Tracks like &#8220;Don&#8217;t Break My Heart Again&#8221; and &#8220;Rough And<br \/>\nReady&#8221; are boring.<\/p>\n<p>In all, I can&#8217;t really give this release a negative grade, even<br \/>\nthough I want to, based on the press material. Instead, I&#8217;ll give<br \/>\nit a C.<\/p>\n","protected":false},"author":10,"featured_media":28100,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7628],"rating":[5619],"class_list":["post-39494","review","type-review","status-publish","has-post-thumbnail","artist-the-company-of-snakes","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39494"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39494\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28100"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39494"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39494"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39494"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}