{"id":39499,"date":"2001-04-10T00:00:00","date_gmt":"2001-04-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vertigo\/"},"modified":"2001-04-10T00:00:00","modified_gmt":"2001-04-10T00:00:00","slug":"vertigo","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vertigo\/","title":{"rendered":"Vertigo"},"content":{"rendered":"<p>The record business hates artists that they can&#8217;t quite<br \/>\ncubbyhole. British pop\/rock\/jazz artist Billie Myers is a good<br \/>\nexample; she first hit the US in 1998 with her hit &#8220;Kiss The Rain&#8221;,<br \/>\nbut since then has managed little more than a few songs on bad<br \/>\nAmerican television, a Lilith Fair gig in &#8217;98, a gold record, and<br \/>\nno record company. Apparently, Myers recently parted company with<br \/>\nher label, leaving<br \/>\n<i>Vertigo<\/i> &#8211; her 2000 follow-up to debut<br \/>\n<i>Growing Pains<\/i> &#8211; in limbo.<\/p>\n<p>All I can say is what a damned shame.<\/p>\n<p>\n<i>Vertigo<\/i> is a tight, clean, upbeat CD, one of the most<br \/>\ninfectious CDs I&#8217;ve heard this year. (Had I gotten this before 2001<br \/>\nrolled around, I suspect it would have made my top ten list last<br \/>\nyear). Myers&#8217; powerful, fluid, flexible voice, reminding me of a<br \/>\ncross between Amanda Marshall and Taylor Dayne, is surprisingly<br \/>\nversatile, slipping from rock to pop to dance to ballad sinuously.<br \/>\nMyers makes it look easy. Pretty good for someone who didn&#8217;t intend<br \/>\nto be a musician and was discovered in a London dance club. (A<br \/>\nproducer asked her if she could sing as well as she danced.<br \/>\nSurprise.)<\/p>\n<p>This album has more hooks than Babe Winkleman&#8217;s tackle box, but<br \/>\nthere are a few specific highlights that I<br \/>\n<i>have<\/i> to mention. The Caribbean-tinged &#8220;Roll Over Beethoven&#8221;<br \/>\nis a viciously funny slam on a lover who takes themselves<br \/>\n<i>way<\/i> too seriously. &#8220;Should I Call You Jesus?&#8221; handles the<br \/>\ninflammatory subject of religion with gritty idealism and an<br \/>\nelegant, driving melody. &#8220;Am I Here Yet? (Return To Sender)&#8221; is<br \/>\nthought-provoking, cynically hopeful (no, this is NOT a<br \/>\ncontradiction) view of the future and how we can handle it.<\/p>\n<p>I have to, however, reserve special praise for &#8220;Flexible&#8221;. I&#8217;m<br \/>\nnot sure what this song is about; I can&#8217;t tell. Maybe a<br \/>\ncrossdresser? Maybe a girl who thinks she&#8217;s James Bond? Maybe<br \/>\nsomething else? Who CARES, I tell you; if there&#8217;s ever a class on<br \/>\nhow to write the perfect &#8220;turn UP the stereo and roll down the<br \/>\nwindows&#8221; song, this will be on the syllabus. (Along with Tom<br \/>\nPetty&#8217;s &#8220;Runnin&#8217; Down A Dream&#8221;, if you&#8217;re curious.) Special bonus<br \/>\npoints for the gratuitous Bond-theme horn riff.<\/p>\n<p>Go now. Find this CD. It won&#8217;t last in limbo long since Myers<br \/>\nhas ditched Universal; don&#8217;t make the mistake of not getting a good<br \/>\ncase of<br \/>\n<i>Vertigo<\/i>.<\/p>\n","protected":false},"author":18,"featured_media":28105,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7631],"rating":[5646],"class_list":["post-39499","review","type-review","status-publish","has-post-thumbnail","artist-billie-myers","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39499"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39499\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28105"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39499"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39499"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39499"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}