{"id":39500,"date":"2001-04-11T00:00:00","date_gmt":"2001-04-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seven-3\/"},"modified":"2001-04-11T00:00:00","modified_gmt":"2001-04-11T00:00:00","slug":"seven-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seven-3\/","title":{"rendered":"Seven"},"content":{"rendered":"<p>Seven, the appropriately-titled seventh release from Chicago&#8217;s<br \/>\nown Enuff Z&#8217;Nuff, is a disc which confuses me.<\/p>\n<p>Oh, it&#8217;s not that Chip Z&#8217;Nuff and crew miss the target with this<br \/>\ndisc. If anything, having the freedom from a major label at the<br \/>\ntime seemed to allow the band a kind of creative independence that<br \/>\nthey might not otherwise have enjoyed. This means that the harder<br \/>\nrock aspect of this disc is turned down (though not completely<br \/>\noff), and Z&#8217;Nuff and guitarist\/singer Donnie Vie are allowed to<br \/>\nfocus on the song, not the hit single. It&#8217;s an interesting concept,<br \/>\nthough it&#8217;s one that takes a little time for the listener to warm<br \/>\nup to.<\/p>\n<p>Make no mistake, this is still Enuff Z&#8217;Nuff as their long-time<br \/>\nfans will remember them &#8211; though the Beatles influence has never<br \/>\nbeen stronger than it was on this album. &#8220;Wheels&#8221; sounds like it<br \/>\ncould well be Enuff Z&#8217;Nuff&#8217;s &#8220;Strawberry Fields Forever,&#8221; thanks to<br \/>\nthe mellotron-like sounds in the chorus and the harmony vocals.<br \/>\nLikewise, &#8220;L.A. Burning,&#8221; a combination of an indictment of the<br \/>\nriots in Los Angeles around that time with King&#8217;s X-like harmonies,<br \/>\nis a powerful piece of music that sticks with you.<\/p>\n<p>What is striking about<br \/>\n<i>Seven<\/i> is that much of the music seems to have roots in<br \/>\nacoustic guitar. Oh, sure, there&#8217;s plenty of electric guitar work<br \/>\n(and lots of room for guitarist John Monaco to show his skills),<br \/>\nbut one gets the feeling that this disc could have easily been just<br \/>\nVie and Z&#8217;Nuff on dual vocals and acoustic guitar and bass,<br \/>\nrespectively. &#8220;Clown On The Town,&#8221; &#8220;It&#8217;s No Good&#8221; and &#8220;Still Have<br \/>\nTonight&#8221; are but three examples of this. (&#8220;Still Have Tonight&#8221; is<br \/>\nanother example in Enuff Z&#8217;Nuff&#8217;s career of a song that could well<br \/>\nhave been a hit single &#8211; that is, if radio had been willing to give<br \/>\nthese guys a fighting chance.)<\/p>\n<p>I freely admit that I like the harder edge to Enuff Z&#8217;Nuff&#8217;s<br \/>\nmusic, and that it took me a listen or two to get used to the<br \/>\nacoustical edge that<br \/>\n<i>Seven<\/i> highlights. But this disc turns out to be a solid, if<br \/>\noccasionally confusing, effort that marked a return to form<br \/>\nfollowing the historical piece that was<br \/>\n<i>Peach Fuzz<\/i>. And while this disc doesn&#8217;t quite match up to<br \/>\nthe masterpiece that was<br \/>\n<i>Tweaked<\/i>, it&#8217;s still a nice disc in it own regards.<\/p>\n","protected":false},"author":2,"featured_media":28106,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6133],"rating":[5615],"class_list":["post-39500","review","type-review","status-publish","has-post-thumbnail","artist-enuff-znuff","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39500"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39500\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28106"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39500"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39500"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39500"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}