{"id":39502,"date":"2001-04-13T00:00:00","date_gmt":"2001-04-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/balance-3\/"},"modified":"2001-04-13T00:00:00","modified_gmt":"2001-04-13T00:00:00","slug":"balance-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/balance-3\/","title":{"rendered":"Balance"},"content":{"rendered":"<p>I&#8217;ve always known of Tempest. As one of the leading bands in the<br \/>\nmovement to fuse rock and traditional Celtic\/European styles of<br \/>\nmusic, they show up a lot in the CD collection of pagan and SCA<br \/>\n(Society for Creative Anachronism, for the unenlightened) friends<br \/>\nof mine. I even have a couple of Tempest discs myself. But I&#8217;ll be<br \/>\nhonest; they&#8217;ve never made as much of an impact on me as other<br \/>\nCelt-fusion artists like Rawlins Cross or Great Big Sea. For one<br \/>\nreason or another, I didn&#8217;t consider myself a Tempest fan.<\/p>\n<p>Until now.<\/p>\n<p>Because let me tell you, children, Tempest has put together one<br \/>\nheck of a tasty piece of music here.<br \/>\n<i>Balance<\/i> is tight, powerful, and fast-paced, an in-your-face<br \/>\nwho&#8217;s-your-daddy twelve tracks of Celtic fusion that&#8217;ll remove<br \/>\npaint. This CD should be marked &#8220;DANGER: Contains Serious Grooves.<br \/>\nCan Cause Jigging And Moshing In The Same Movement.&#8221; Lead singer<br \/>\nLief Sorbye says it best: &#8220;My first love is traditional<br \/>\nmusic&#8230;{but} I feel in order for it to survive it has to be<br \/>\nupdated..&#8221;<\/p>\n<p>Updated indeed. For the first time on this CD, Tempest has<br \/>\njuggled the demands of traditional music with the power and majesty<br \/>\nof rock and roll perfectly. It&#8217;s no wonder the album is called<br \/>\n<i>Balance<\/i>.<\/p>\n<p>The musicianship and production are excellent. Fiddle player Jim<br \/>\n&#8220;Hurricane&#8221; Hurley lights his strings on fire on a regular basis,<br \/>\nguitarist Todd Evans plays some pretty complex guitar licks, and<br \/>\nthe rest of the band storms on behind them, on key and in time,<br \/>\nsort of the musical equivalent of a Viking bad hitting the east<br \/>\ncoast of Scotland and looking for the nearest whiskey distillery.<br \/>\nTempest is not terribly subtle, though &#8220;Between Us&#8221; is surprisingly<br \/>\ngentle; this is music for your ceili, not for your cotillion.<br \/>\n(Thank the gods.)<\/p>\n<p>Tracks that are worth special mention include the incredible<br \/>\n&#8220;Dance Of The Sand Witches&#8221;, &#8220;Battle Mountain Breakdown&#8221;, the<br \/>\ntraditional tunes &#8220;Villemann&#8221; and &#8220;Captain Ward&#8221;, and in a<br \/>\ncontender for Oddest Cover Of The Year, a brooding, intense version<br \/>\nof Phil Ochs&#8217; anti-capital punishment &#8220;Iron Lady&#8221;. (Sorbye&#8217;s<br \/>\nhalf-wistful, half-snarling delivery of the final line of Ochs&#8217;<br \/>\nvicious lyrics is worth the price of the CD alone.)<\/p>\n<p>Finally, Tempest has struck a<br \/>\n<i>Balance<\/i> they can be pleased with, proud of, and that both<br \/>\nkeeps traditional music alive and rocks out like no one&#8217;s business.<br \/>\nThis is easily one of the best CDs of the year.<\/p>\n","protected":false},"author":18,"featured_media":26742,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6086],"rating":[5646],"class_list":["post-39502","review","type-review","status-publish","has-post-thumbnail","artist-tempest","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39502"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39502\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26742"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39502"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39502"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39502"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}