{"id":39506,"date":"2001-04-18T00:00:00","date_gmt":"2001-04-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/in-concert\/"},"modified":"2001-04-18T00:00:00","modified_gmt":"2001-04-18T00:00:00","slug":"in-concert","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/in-concert\/","title":{"rendered":"In Concert"},"content":{"rendered":"<p>If you&#8217;ve been reading this site for any length of time, you&#8217;ll<br \/>\nremember what I, along with other reviewers, have said about live<br \/>\nalbums. Sometimes, they&#8217;re the most difficult things for a<br \/>\nperformer to attempt; how does one try to recreate a visual and<br \/>\naudio experience into an edited version that one can only hear?<\/p>\n<p>In the case of Rockapella, I find it actually to be a<br \/>\ndisadvantage that I&#8217;ve seen them live. Their latest release,<br \/>\n<i>In Concert<\/i>, tries to capture the magic of a typical live<br \/>\nshow from this a capella quintet, but it falls short, despite many<br \/>\nenjoyable moments.<\/p>\n<p>The biggest thing missing from this disc is the interplay<br \/>\nbetween the band and the audience, ranging from between-song banter<br \/>\n(which shows how much Scott Leonard and crew enjoy what they do) to<br \/>\npulling someone out of the audience for their rendition of &#8220;Pretty<br \/>\nWoman&#8221;.<br \/>\n<i>In Concert<\/i> pretty much is a rapid-fire delivery of vocal<br \/>\nmusic without those brief but necessary breaks. (I have yet to<br \/>\ndiscover if the corresponding home video includes any of these<br \/>\nmoments.)<\/p>\n<p>If I had any complaint about<br \/>\n<i>In Concert<\/i>, it would be the way that some of the group&#8217;s<br \/>\nmaterial doesn&#8217;t sparkle like fans know it can during this<br \/>\nperformance (taped for a PBS special &#8211; something Leonard notes in<br \/>\nan ad-lib during &#8220;Dancin&#8217; In The Streets&#8221;). Songs like &#8220;That&#8217;s The<br \/>\nWay&#8221; and &#8220;Blah Blah Blah&#8221; (the latter of which features bass<br \/>\nvocalist Barry Clark getting a dig in on music critics &#8211; thanks,<br \/>\nBarry) literally crackle with energy on their studio versions &#8211; and<br \/>\nhaving seen Rockapella perform, I know they can make these songs<br \/>\ncome to life on stage. On this disc, though, something is missing;<br \/>\nthey don&#8217;t have the same kind of energy one might have expected.<br \/>\nAlso, a personal gripe &#8211; where is &#8220;Doorman Of My Heart&#8221;? Yeah, I<br \/>\nknow the boys couldn&#8217;t have gotten away with using the phrase &#8220;kick<br \/>\nthe ass&#8221; on PBS, but I still miss this song.<\/p>\n<p>The other aspect of<br \/>\n<i>In Concert<\/i> that can&#8217;t be translated from the live show is<br \/>\nthe way Rockapella can project themselves without the use of<br \/>\nmicrophones. Since this was being recorded, the group is forced to<br \/>\nuse them during the medley of &#8220;Up On The Roof \/ Wonderful World,&#8221;<br \/>\nbut there is nothing more powerful than seeing the band take the<br \/>\nstage and perform this selection without any type of amplification<br \/>\n&#8211; and hearing every word.<\/p>\n<p>If one thinks that<br \/>\n<i>In Concert<\/i> is substandard for Rockapella, there are moments<br \/>\non the disc which are sure to please. Crowd-pleasers like &#8220;Where In<br \/>\nThe World Is Carmen Sandiego?&#8221; and &#8220;Zombie Jamboree&#8221; are pulled off<br \/>\nwell, and Carl&#8217;s solo on &#8220;16 Tons&#8221; is always guaranteed to put a<br \/>\nsmile on one&#8217;s face.<\/p>\n<p>If you are unable to see Rockapella when they come to your town,<\/p>\n<p><i>In Concert<\/i> will suffice, but it doesn&#8217;t quite match up to<br \/>\nbeing there and hearing the show unfold in front of you. Rockapella<br \/>\nis an incredible group to see live;<br \/>\n<i>In Concert<\/i> only captures a portion of the whole picture.<\/p>\n","protected":false},"author":2,"featured_media":28111,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6295],"rating":[5612],"class_list":["post-39506","review","type-review","status-publish","has-post-thumbnail","artist-rockapella","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39506"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28111"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39506"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39506"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}