{"id":39526,"date":"2001-05-14T00:00:00","date_gmt":"2001-05-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vu-du-menz\/"},"modified":"2001-05-14T00:00:00","modified_gmt":"2001-05-14T00:00:00","slug":"vu-du-menz","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vu-du-menz\/","title":{"rendered":"Vu-Du Menz"},"content":{"rendered":"<p>Someone in the Great Random CD Draw in the sky seems to think I<br \/>\nneed to develop a taste for N&#8217;awlins music and blues, because they<br \/>\nkeep sending me all these great CDs. The latest in the series is<br \/>\nthe new project by acoustic blues guitarist and singer Corey Harris<br \/>\nand N&#8217;awlins piano player and singer Henry Butler,<br \/>\n<i>vu-du menz<\/i>. (I hate standard character sets. Both &#8220;u&#8221;s in<br \/>\nthat name are supposed to have an umlaut two dots over them, the e<br \/>\nin<br \/>\n<i>menz<\/i> should be a schwa, and the z should have a caret over<br \/>\nit. Deal.)<\/p>\n<p>Released by Chicago blues label Alligator,<br \/>\n<i>vu-du menz<\/i> is a tribute to the thirties style of acoustic<br \/>\nblues and Crescent City barrelhouse blues and jazz. It&#8217;s somewhere<br \/>\nbetween Jelly Roll Morton and Robert Johnson, at various points raw<br \/>\nas fingernails on a blackboard and smooth as absinthe. It is the<br \/>\nsound pure and unsanitized; there&#8217;s no Bobby Troup or Harry Connick<br \/>\nJr here, but the sound that rang from Storyville windows during the<br \/>\ngolden age.<\/p>\n<p>The CD starts off with &#8220;Let &#8216;Em Roll&#8221;, and the rolling<br \/>\nbarrelhouse<br \/>\nchords contrast neatly with the blues shouting style in the<br \/>\nvocals. Production is spare and neat, with the string and key<br \/>\nsounds still present in the work; the simplicity of the engineering<br \/>\nmakes it feel like Butler and Harris are in your living room.<br \/>\nAlligator knows blues up, down, and forward, and it shows on works<br \/>\nlike this.<\/p>\n<p>\n<i>vu-du menz<\/i> is a balancing act between joyous celebration and<br \/>\nserious, thoughtful blues, and the dichotomy works. Songs like<br \/>\n&#8220;Shake What Your Mama Gave You&#8221;, &#8220;If I Was Your Man&#8221;, &#8220;Sugar<br \/>\nDaddy&#8221;, and &#8220;Song Of The Pipelayer&#8221; show the bawdy, good-time side<br \/>\nof blues and barrelhouse, but &#8220;Mulberry Row&#8221; takes a hard look at<br \/>\nthe legacy of slavery, &#8220;Didn&#8217;t My Lord<br \/>\nDeliver Daniel?&#8221; and &#8220;Why Don&#8217;t You Live So God Can Use You&#8221;<br \/>\nare traditional spirituals. &#8220;L&#8217;esprit de James&#8221; is a wonderful<br \/>\ninstrumental, &#8220;There&#8217;s No Substitute For Love&#8221; has a soulful feel<br \/>\nto it, and &#8220;Voodoo Man&#8221; is just a brilliant piece of piano blues.<br \/>\nAnd where else but on a blues album can you get the helpful<br \/>\ninterpersonal counseling of &#8220;If You Let A Man Kick You Once&#8221;?<\/p>\n<p>In short,<br \/>\n<i>vu-du menz<\/i> is a tasty, tasty piece of acoustic blues and<br \/>\nCrescent City piano. We can only hope for more work from<br \/>\nHarris and Butler together. If this is voudoun, then Marie Laveau<br \/>\ncan show up on my stereo any day.<\/p>\n","protected":false},"author":18,"featured_media":28131,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7641],"rating":[5646],"class_list":["post-39526","review","type-review","status-publish","has-post-thumbnail","artist-corey-harris-henry-butler","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39526"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39526\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28131"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39526"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39526"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39526"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}