{"id":39530,"date":"2001-05-16T00:00:00","date_gmt":"2001-05-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-gun\/"},"modified":"2001-05-16T00:00:00","modified_gmt":"2001-05-16T00:00:00","slug":"love-gun","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/love-gun\/","title":{"rendered":"Love Gun"},"content":{"rendered":"<p>The rise of Kiss&#8217;s popularity can literally be traced as you<br \/>\nlisten to the seminal hard rock group&#8217;s first few albums. But in a<br \/>\nsimilar vein, one can trace the downfall of Kiss by listening to<br \/>\nthe post-<br \/>\n<i>Destroyer<\/i> works.<\/p>\n<p>Make no mistake,<br \/>\n<i>Destroyer<\/i> is a killer album. The follow-up,<br \/>\n<i>Rock And Roll Over<\/i>, had some interesting songs, but dipped<br \/>\nfar too much into the well of filler material.<br \/>\n<i>Love Gun<\/i>, Kiss&#8217;s 1977 release (and sixth studio effort),<br \/>\nshowed that the band&#8217;s vice-like grip on their material had<br \/>\nloosened considerably.<\/p>\n<p>Oh, there&#8217;s still some entertaining material on this disc. The<br \/>\ntitle track is the epitomy of the cock-rock lifestyle these guys<br \/>\nhave seemed to be all about since day one, but one can&#8217;t help but<br \/>\nsmile at this track, in all of its dirty glory. &#8220;Christine<br \/>\nSixteen,&#8221; possibly one of the original songs about jailbait, is<br \/>\ninfectious enough to keep the melody locked in your brain for far<br \/>\nlonger than you want it to be. Likewise, &#8220;Plaster Caster&#8221; combines<br \/>\na powerful groove with an interesting, aah, mental picture of<br \/>\nwhat&#8217;s going on. (Believe it or not, this song is based in reality<br \/>\n&#8211; search on the web for stories about Cynthia Plaster Caster. No<br \/>\njoke.)<\/p>\n<p>Even guitarist Ace Frehley gets into the act with his first lead<br \/>\nvocal, &#8220;Shock Me&#8221;. Okay, it&#8217;s not the best song that Kiss has ever<br \/>\ncome up with, but it also isn&#8217;t the worst. For a first effort, not<br \/>\nbad &#8211; and Frehley would prove in enough time that he could pull off<br \/>\nbeing the front man for a band.<\/p>\n<p>Too bad that this is where the praise for<br \/>\n<i>Love Gun<\/i> abruptly ends. The rest of the album collapses into<br \/>\na &#8220;been-there, done-that&#8221; mess. On one side, you have songs which<br \/>\nare lifting ideas, grooves &#8211; cripes, even bits of guitar solos &#8211;<br \/>\nand repackaging them as new. &#8220;I Stole Your Love&#8221; is a third-rate<br \/>\n&#8220;Detroit Rock City&#8221;; &#8220;Tomorrow And Tonight&#8221; tries to be the next<br \/>\n&#8220;Rock And Roll All Night&#8221; anthem, and fails miserably. On the other<br \/>\nside, you have an absolutely atrocious cover of &#8220;Then She Kissed<br \/>\nMe,&#8221; a song which absolutely, positively, did not have to be<br \/>\nremade. (Including a cover on this album seems to suggest that Kiss<br \/>\nwas running low on creative ideas &#8211; like recycling guitar licks<br \/>\nwasn&#8217;t a red flag.)<\/p>\n<p>In the middle of this are songs which, frankly, will never be<br \/>\nremembered in the same breaths as the classics. Tracks like<br \/>\n&#8220;Hooligan,&#8221; &#8220;Almost Human&#8221; and &#8220;Got Love For Sale&#8221; all just dribble<br \/>\nfrom the speakers, making you wonder just what was happening with<br \/>\nthe band who said that if &#8220;you wanted the best, you got the<br \/>\nbest&#8221;.<\/p>\n<p>Granted, there&#8217;s enough material on<br \/>\n<i>Love Gun<\/i> to warrant adding it to your collection, though any<br \/>\nof the best-of packages could fill those voids just as easily. As<br \/>\nis stands now,<br \/>\n<i>Love Gun<\/i> is the picture of a band who were starting to shoot<br \/>\nblanks.<\/p>\n","protected":false},"author":2,"featured_media":28135,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5731],"rating":[5619],"class_list":["post-39530","review","type-review","status-publish","has-post-thumbnail","artist-kiss","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39530"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28135"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39530"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39530"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}