{"id":39531,"date":"2001-05-17T00:00:00","date_gmt":"2001-05-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-mummy-returns\/"},"modified":"2001-05-17T00:00:00","modified_gmt":"2001-05-17T00:00:00","slug":"the-mummy-returns","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-mummy-returns\/","title":{"rendered":"The Mummy Returns"},"content":{"rendered":"<p>Memo to Dwayne &#8220;The Rock&#8221; Johnson, on seeing his film still<br \/>\nunderneath the CD tray for<br \/>\n<i>The Mummy Returns<\/i>: Dude, where are you supposed to keep your<br \/>\nwallet in that costume?<\/p>\n<p>Okay, that&#8217;s a cheap way to start a review, I admit. But when<br \/>\nyou take a serious action\/horror movie like this, add in<br \/>\nserious-sounding music from Alan Silvestri and realize that you&#8217;re<br \/>\nlooking at the latest franchise in motion pictures, something has<br \/>\nto give in the light-hearted department.<\/p>\n<p>Fact is,<br \/>\n<i>The Mummy Returns<\/i> is a serious soundtrack &#8211; in fact, it may<br \/>\nbe too serious at times, leaving the listener who hasn&#8217;t included<br \/>\nthemselves in the throng who have seen this movie (ahem, cough<br \/>\ncough) a bit lost at times.<\/p>\n<p>At the start, one has to wonder why Silvestri became involved<br \/>\nwith the music at this point. No disrespect is meant towards<br \/>\nSilvestri (who has easily proven himself to be one of the most<br \/>\nrespected composers of film music), but wouldn&#8217;t the logical choice<br \/>\nhave been to stick with Jerry Goldsmith, who crafted the music for<br \/>\n<i>The Mummy<\/i>? I would have been concerned that switching<br \/>\ncomposers would break the continuity of the music between the two<br \/>\nfilms. Then again, maybe that&#8217;s what the powers that be wanted in<br \/>\nthe first place.<\/p>\n<p>There are a few examples of working in the Middle Eastern flavor<br \/>\nof the setting into the music (&#8220;Imhotep Unearthed&#8221; being the one<br \/>\nthat springs to mind), but more often than not,<br \/>\n<i>The Mummy Returns<\/i> takes on an almost<br \/>\n<i>Indiana Jones<\/i> approach to the music, rising and falling with<br \/>\nthe action perceived by the listener. While this is a powerful tool<br \/>\nfor raising and lowering one&#8217;s heart rate (as well as spurring on<br \/>\none&#8217;s imagination), it draws attention away from the plot of the<br \/>\nmovie, turning it into another action-adventure soundtrack.<\/p>\n<p>This isn&#8217;t to say that selections like &#8220;Evy Kidnapped,&#8221; &#8220;The<br \/>\nLegend Of The Scorpion King&#8221; and &#8220;The Mummy Returns&#8221; are weak.<br \/>\nIndeed, these tracks have enough power to keep the listener<br \/>\ninterested, even if one hasn&#8217;t seen the movie yet. But one area<br \/>\nwhich could have stood some improvement was in the final mixing.<br \/>\nWhoever was working the volume control knob should get a lesson in<br \/>\nequalization; there were times when the music was almost absent due<br \/>\nto the volume being so low.<\/p>\n<p>The one nod to pop sensibility &#8211; the inclusion of a new track<br \/>\nfrom Live &#8211; doesn&#8217;t light the fuse like one would hope. &#8220;Forever<br \/>\nMay Not Be Long Enough&#8221; doesn&#8217;t have the power or hooks that many<br \/>\nof Live&#8217;s best-known songs do. And while judging the upcoming<br \/>\nrelease from Live on this one track alone isn&#8217;t fair, it does lead<br \/>\nme to wonder if &#8220;Forever May Not Be Long Enough&#8221; is a sign of<br \/>\nthings to come.<\/p>\n<p>\n<i>The Mummy Returns<\/i> has enough adrenaline to keep your heart<br \/>\nracing at times, but could have used a little more of an Egyptian<br \/>\ntheme running through its selections. Without that, you&#8217;re left<br \/>\nwith merely the soundtrack to an action-adventure movie &#8211; albeit<br \/>\nnot a bad soundtrack.<\/p>\n","protected":false},"author":2,"featured_media":28136,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5612],"class_list":["post-39531","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39531"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28136"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39531"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39531"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}