{"id":39532,"date":"2001-05-17T00:00:00","date_gmt":"2001-05-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/let-it-fall\/"},"modified":"2001-05-17T00:00:00","modified_gmt":"2001-05-17T00:00:00","slug":"let-it-fall","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/let-it-fall\/","title":{"rendered":"Let It Fall"},"content":{"rendered":"<p>Warning: The Surgeon General has determined that aspiring<br \/>\nguitarists should<br \/>\nnot listen to Sean Watkins. You&#8217;ll only become hopelessly<br \/>\nfrustrated at your own lack<br \/>\nof skills. I mean, come on he&#8217;s in his early 20s and he<br \/>\nalready plays<br \/>\n<i>this<\/i> good? It&#8217;s<br \/>\nenough to make you take up crocheting. I speak from<br \/>\nexperience.<\/p>\n<p>Sean Watkins, guitarist for Nickel Creek, has released his first<br \/>\nsolo album,<br \/>\n<i>Let<br \/>\nIt Fall<\/i>, and let me tell you, folks, it&#8217;s a doozy.<br \/>\nWatkins may be the best young<br \/>\nflatpicking guitarist out there, and this album is a<br \/>\nmasterpiece of guitar styling. And<br \/>\nto add insult to injury, Watkins self-produced this CD, and<br \/>\nthe production is perfect.<\/p>\n<p>It&#8217;s hard to quantify this CD in a lot of ways. Nickel Creek is<br \/>\n(mostly) a<br \/>\nbluegrass outfit, and there&#8217;s a good deal of traditional<br \/>\nbluegrass and newgrass on<\/p>\n<p><i>Let It Fall<\/i>. However, Watkins branches out in a lot of ways;<br \/>\nthere are discrete<br \/>\nmusical influences and accents that show he&#8217;s not just a<br \/>\nflatpicker. In a lot of ways,<br \/>\nWatkins&#8217; work reminds me of Lawrence Juber&#8217;s solo CDs; he has<br \/>\nthat same plain<br \/>\nlove for the guitar and how it sounds, and it makes the CD a<br \/>\njoy to listen to.<\/p>\n<p>Watkins&#8217; brilliance aside, the guest musicians are the &#8220;Usual<br \/>\nSugar Hill<br \/>\nSuspects&#8221; with a few surprises. Sean&#8217;s sister, Sara Watkins,<br \/>\nshows up playing<br \/>\nelegant fiddle on three tracks; Chris Thile contributes<br \/>\nmandolin to two tracks; six-time<br \/>\nInternational Bluegrass Music Award winner Jerry Douglas<br \/>\nplays dobro on three<br \/>\ntracks; and Bluegrass Etc.&#8217;s Dennis Caplinger chimes in with<br \/>\nbanjo on two. All are<br \/>\nwonderful. Even weirder, and just as wonderful, is former<br \/>\nToad The Wet Sprocket<br \/>\nlead vocalist Glen Phillips, who sings lead vocals on the<br \/>\ntitle track, the only<br \/>\nnon-instrumental piece on the CD.<\/p>\n<p>Wonderful is, indeed, the word. &#8220;Let It Fall&#8221; is, simply, one of<br \/>\nthe most beautiful<br \/>\nsongs I&#8217;ve ever heard, and Phillips nails the vocals<br \/>\nperfectly. Other tracks worth<br \/>\nspecial notice: &#8220;Neo&#8217;s Song&#8221;, &#8220;January Second&#8221;, &#8220;Ferdinand<br \/>\nThe Bull&#8221;, &#8220;The Orange<br \/>\nAutumn Days&#8221;&#8230;oh, heck, it&#8217;s all good. Even the hidden track<br \/>\nat the end, a device<br \/>\nwhich sometimes annoys me, is a lot of fun.<\/p>\n<p>Yes, Watkins is young. Yes, it&#8217;s aggravating sometimes that he&#8217;s<br \/>\nthis good,<br \/>\nthough only for a little while and with a smile on one&#8217;s<br \/>\nface. But there&#8217;s one<br \/>\nadvantage to that; if he&#8217;s this good already, think how much<br \/>\nbetter he&#8217;ll get. I, for<br \/>\none, can hardly wait.<\/p>\n","protected":false},"author":18,"featured_media":28137,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6832],"rating":[5646],"class_list":["post-39532","review","type-review","status-publish","has-post-thumbnail","artist-sean-watkins","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39532"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39532\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28137"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39532"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39532"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39532"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}