{"id":39550,"date":"2001-06-01T00:00:00","date_gmt":"2001-06-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/full-bluntal-nugity-2\/"},"modified":"2001-06-01T00:00:00","modified_gmt":"2001-06-01T00:00:00","slug":"full-bluntal-nugity-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/full-bluntal-nugity-2\/","title":{"rendered":"Full Bluntal Nugity"},"content":{"rendered":"<p>It&#8217;s been well over 20 years since Ted Nugent unleashed<br \/>\n<i>Double Live Gonzo!<\/i> on the public, at the height of his<br \/>\ncareer. Since then, the Motor City Madman has found himself<br \/>\nbattling decreasing record sales, the maturing of his audience, the<br \/>\nrise of hundreds of bands who learned their licks at the feet of<br \/>\nthe Nuge and the commercial rise and fall of heavy metal.<\/p>\n<p>Through it all, Nugent has been a survivor, though one can<br \/>\nquestion whether he&#8217;s thrived musically. (No references are being<br \/>\nmade to Nugent&#8217;s stint in Damn Yankees.) His latest release,<br \/>\n<i>Full Bluntal Nugity<\/i>, is evidence that quite possibly Nugent<br \/>\nhas stagnated. Featuring only one relatively new track, Nugent&#8217;s<br \/>\nthird live outing sounds more like an aging rocker trying to hold<br \/>\non to his days of glory than a rock pioneer continuing to plow new<br \/>\ntrails.<\/p>\n<p>Recorded on New Year&#8217;s Eve 2000 at Nugent&#8217;s annual Whiplash Bash<br \/>\nin Detroit, Nugent and his band &#8211; bassist Marco Mendoza and drummer<br \/>\nTommy Aldridge &#8211; plow through songs which any real fan probably<br \/>\nowns several copies of. With the exception of the opening<br \/>\ninstrumental &#8220;Klstrphk&#8221; (add a few vowels to see what it&#8217;s really<br \/>\nsaying), only &#8220;Fred Bear&#8221; approaches anything past 1980. Too bad;<br \/>\nthis could have been a great vehicle for Nugent to remind people<br \/>\nabout some of the forgotten albums in his career. Anything would<br \/>\nhave been better than Nugent&#8217;s occasional ode to Jimi Hendrix<br \/>\nscattered throughout the show.<\/p>\n<p>As a vocalist, Nugent at his best was merely marginal. Now in<br \/>\nhis fifties, Nugent&#8217;s vocals have smoothed out a little bit, but<br \/>\none does miss the maniacal shrieks he became known for on such<br \/>\ntracks as &#8220;Cat Scratch Fever&#8221; and &#8220;Free For All&#8221;. Sadly, Nugent<br \/>\ndoesn&#8217;t seem to have the kind of vocal power these tracks all but<br \/>\nbeg for. Mendoza does an admirable job on &#8220;Hey Baby,&#8221; doing his<br \/>\nbest Derek St. Holmes and holding his own quite well.<\/p>\n<p>The most interesting part of<br \/>\n<i>Full Bluntal Nugity<\/i>, ironically, is the newest song, &#8220;Fred<br \/>\nBear&#8221; &#8211; and also is the only acoustic number performed on this<br \/>\ndisc. Yes, Nugent seems to stretch it out a tad too long, but he<br \/>\ndoes capture something in this version that hasn&#8217;t been approached<br \/>\nin the studio version. Nugent claims he&#8217;s taking the audience to a<br \/>\ncampfire with this one &#8211; and he succeeds.<\/p>\n<p>Granted, fans would probably feel cheated if<br \/>\n<i>all<\/i> of Nugent&#8217;s hits were absent from<br \/>\n<i>Full Bluntal Nugity<\/i> &#8211; but by focusing on almost all hits,<br \/>\ntracks from albums like<br \/>\n<i>Weekend Warriors<\/i>,<br \/>\n<i>Little Miss Dangerous<\/i>,<br \/>\n<i>Spirit Of The Wild<\/i> (&#8220;Fred Bear&#8221; notwithstanding) and<br \/>\n<i>Penetrator<\/i> are ignored. Again, too bad.<\/p>\n<p>Nugent&#8217;s days as superstar are all but over except in his own<br \/>\nmind, and<br \/>\n<i>Full Bluntal Nugity<\/i> is a reminder of that sad fact. Pick<br \/>\nthis one up only if you absolutely must have every album in<br \/>\nNugent&#8217;s discography.<\/p>\n","protected":false},"author":2,"featured_media":26967,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5798],"rating":[5616],"class_list":["post-39550","review","type-review","status-publish","has-post-thumbnail","artist-ted-nugent","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39550"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39550\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26967"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39550"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39550"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}