{"id":39552,"date":"2001-06-02T00:00:00","date_gmt":"2001-06-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spirit-of-live\/"},"modified":"2001-06-02T00:00:00","modified_gmt":"2001-06-02T00:00:00","slug":"spirit-of-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spirit-of-live\/","title":{"rendered":"Spirit Of Live"},"content":{"rendered":"<p>It&#8217;s not unusual for me to first hear about a band when a<br \/>\npackage arrives in my mailbox. It&#8217;s not unusual for me to utter the<br \/>\nphrase, &#8220;Who the hell are these guys?&#8221; about three times a day &#8211;<br \/>\nand that&#8217;s after I&#8217;ve read through their bios.<\/p>\n<p>One other thing you&#8217;ll hear coming from the Pierce Memoral<br \/>\nArchives &#8211; albeit not as often &#8211; is me saying, &#8221;<br \/>\n<i>Why<\/i> haven&#8217;t I heard these guys before?&#8221; That was my reaction<br \/>\nwhen listening to<br \/>\n<i>Spirit Of Live<\/i>, the first live album from German<br \/>\nprog-metallers Vanden Plas. Reminiscent of what the Scorpions might<br \/>\nsound like if they were to start their careers in the late &#8217;90s,<br \/>\nvocalist Andy Kuntz and crew create a disc which is almost<br \/>\nimmediately accessible for all listeners. You don&#8217;t have to be<br \/>\nfamiliar with this group&#8217;s discography to enjoy these songs &#8211;<br \/>\nthough you&#8217;ll undoubtedly be left wanting to hear more by the<br \/>\nend.<\/p>\n<p>European listeners are given a special treat &#8211; a rendition of<br \/>\nDokken&#8217;s &#8220;Kiss Of Death,&#8221; complete with vocals from Don Dokken<br \/>\nhimself. Regrettably, this track isn&#8217;t available on the U.S.<br \/>\nrelease (though the substitute &#8220;bonus&#8221; track &#8220;You Fly&#8221; is quite<br \/>\ngood). The European version also includes &#8220;I Don&#8217;t Miss You&#8221; &#8211;<br \/>\nthough I&#8217;ll admit I miss not having these tracks here in America.<br \/>\n(And people wonder why Napster was so popular&#8230;)<\/p>\n<p>The band &#8211; Kuntz, guitarist Stephan Lill, keyboardist<br \/>\nG\u00fcnter Werno, bassist Torsten Reichert and drummer Andreas<br \/>\nLill &#8211; magically captures the spirit of progressive rock without<br \/>\nmaking things sound overtly technical in the song structures or the<br \/>\nperformances. From the opening number &#8220;I Can See,&#8221; Vanden Plas<br \/>\ntries to distinguish themselves from the swarm of groups that have<br \/>\nfollowed this vein of metal in recent years. They indeed accomplish<br \/>\nthis with a combination of powerful tempered performances and<br \/>\nwell-structured songwriting. If some label had given Vanden Plas a<br \/>\nchance in the United States some years ago, they&#8217;d be superstars<br \/>\nright now.<\/p>\n<p>Tracks such as &#8220;Into The Sun,&#8221; &#8220;How Many Tears,&#8221; &#8220;Rainmaker&#8221;<br \/>\n(featuring Patrick Rondat) and &#8220;Soul Survives&#8221; not only win over<br \/>\nthe Parisian audience, but also the listener sitting at home in<br \/>\nfront of their stereos. It&#8217;s nearly impossible not to become<br \/>\ninfected with the joy of this music, and<br \/>\n<i>Spirit Of Live<\/i> is a great effort.<\/p>\n<p>If there is any moment of energy sagging, it would be during the<br \/>\ninstrumental &#8220;segues&#8221; &#8220;Journey To Paris&#8221; and &#8220;Spirit Of Life,&#8221;<br \/>\nthough each of these is a full-length song. While they&#8217;re still<br \/>\nsolid examples of what Vanden Plas is capable of, it does tend to<br \/>\nbreak the spirit of the moment by switching musical gears.<br \/>\nFortunately, the energy rises back up one track later with &#8220;Iodic<br \/>\nRain&#8221;.<\/p>\n<p>\n<i>Spirit Of Live<\/i> is a wonderful introduction to the music of<br \/>\nVanden Plas &#8211; or it&#8217;s a nice way to sum up the band&#8217;s career to<br \/>\nthis point. Whichever way you look at it, this is an album you<br \/>\nwon&#8217;t want to miss out on.<\/p>\n","protected":false},"author":2,"featured_media":28155,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7653],"rating":[5613],"class_list":["post-39552","review","type-review","status-publish","has-post-thumbnail","artist-vanden-plas","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39552"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39552\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28155"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39552"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39552"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}