{"id":39557,"date":"2001-06-06T00:00:00","date_gmt":"2001-06-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bride-of-the-wind\/"},"modified":"2001-06-06T00:00:00","modified_gmt":"2001-06-06T00:00:00","slug":"bride-of-the-wind","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bride-of-the-wind\/","title":{"rendered":"Bride Of The Wind"},"content":{"rendered":"<p>Admission number one: I often don&#8217;t see the films whose<br \/>\nsoundtracks I review here. This is no surprise announcement, since<br \/>\nI&#8217;ve admitted so in print before. In fact, often I review the<br \/>\nsoundtracks before the film ever hits the theatres. (Last time I<br \/>\nchecked, the studios don&#8217;t invite music journalists &#8211; especially<br \/>\nthose who live between the Chicago and Milwaukee markets &#8211; to<br \/>\nadvance screenings.)<\/p>\n<p>Admission number two: As much as I like classical music, I never<br \/>\ndeveloped a passion for Gustav Mahler. I always had an affinity for<br \/>\nBeethoven or Baroque-period music like Bach&#8217;s, and didn&#8217;t spend<br \/>\nmuch time learning about turn-of-the-century composers like<br \/>\nMahler.<\/p>\n<p>These factors would make it seem like I should be the last<br \/>\nperson to review the soundtrack to<br \/>\n<i>Bride Of The Wind<\/i>, a tale of love between Gustav Mahler and<br \/>\nhis wife Alma &#8211; a woman whose only source of peace is in her own<br \/>\nclassical music compositions. And, in a way, I do feel lost trying<br \/>\nto quickly develop a feel for Gustav Mahler while knowing little to<br \/>\nnothing about his music.<\/p>\n<p>If you are an afficionado of Gustav Mahler&#8217;s work, then you will<br \/>\nundoubtedly find<br \/>\n<i>Bride Of The Wind<\/i> to be an appealing collection. The<br \/>\nperformances by soprano Ren\u00e9e Fleming are of special note;<br \/>\nFleming raises the bar of excellence wherever she lends her golden<br \/>\nvocals. However, the works of Alma Mahler cannot be discounted<br \/>\neither, even though only three of the precious few which survive<br \/>\nare featured.<\/p>\n<p>However,<br \/>\n<i>Bride Of The Wind<\/i> is one of those few soundtracks which<br \/>\nalmost requires you to have seen the movie &#8211; or at least to have<br \/>\nknowledge of Alma Mahler&#8217;s life. This way, one can understand the<br \/>\nrises and ebbs in the intensity of the music, both from Alma<br \/>\nMahler&#8217;s pen and written for the soundtrack by Stephen Endelman.<br \/>\nOne could understand why the music turns more introspective due to<br \/>\nGustav Mahler&#8217;s directive to his wife to give up her craft &#8211; and<br \/>\nhow the encouragement and passion she felt outside of her marriage<br \/>\nwould be reflected in a rise in energy.<\/p>\n<p>As it stands,<br \/>\n<i>Bride Of The Wind<\/i> is an enjoyable, if passable, collection<br \/>\nof music that should satisfy those who love classical music. But<br \/>\nwithout seeing the film, somehow this disc is less satisfying.<br \/>\n(Side note: I can&#8217;t honestly say I&#8217;m interested in seeing the film<br \/>\n&#8211; no offense meant towards the filmmakers, but this particular<br \/>\ngenre of film just does not appeal to me.)<\/p>\n","protected":false},"author":2,"featured_media":28160,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5614],"class_list":["post-39557","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39557"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28160"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39557"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39557"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}