{"id":39560,"date":"2001-06-08T00:00:00","date_gmt":"2001-06-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/del-amitri\/"},"modified":"2001-06-08T00:00:00","modified_gmt":"2001-06-08T00:00:00","slug":"del-amitri","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/del-amitri\/","title":{"rendered":"Del Amitri"},"content":{"rendered":"<p>One of the most difficult things about reviewing early works<br \/>\nfrom any artist is trying to view those albums in the context of<br \/>\nthe time they were recorded in&#8230; and not allowing their latter-day<br \/>\nwork to shape your view. Sometimes, I succeed; other times, I fail<br \/>\nmiserably.<\/p>\n<p>In the case of Scotland&#8217;s Del Amitri, it&#8217;s really hard to forget<br \/>\nabout the bulk of their catalog when listening to their 1985<br \/>\nself-titled debut. It&#8217;s almost like listening to two different<br \/>\nbands &#8211; and I really hate to say it, but I like the &#8220;newer&#8221; version<br \/>\nbetter.<\/p>\n<p>Justin Currie and company aren&#8217;t the pop-rock balladeers they<br \/>\nbecame starting with<br \/>\n<i>Waking Hours<\/i> their first time around. On<br \/>\n<i>Del Amitri<\/i>, they sound a lot like R.E.M. meets The Cure &#8211;<br \/>\nand it&#8217;s not always the prettiest sound. Sure, you&#8217;ve got Iain<br \/>\nHarvie&#8217;s guitar&#8217;s jangling like Peter Buck, rarely dipping into<br \/>\nbarre-chord land. But balanced with this, you&#8217;ve got Currie<br \/>\nspitting out stream-of-consciousness vocals that sounded more like<br \/>\nthe Unabomber&#8217;s rant. Currie hadn&#8217;t quite developed a powerful<br \/>\nstyle of singing yet, so tracks like &#8220;Heard Through A Wall,&#8221; &#8220;Crows<br \/>\nIn The Wheatfield&#8221; and &#8220;Sticks And Stones Girl&#8221; have about as much<br \/>\nweight as a feather in a tornado.<\/p>\n<p>In all honesty, these tracks could have been improved with one<br \/>\nor two minor changes. Maybe if Currie had dropped such a repetitive<br \/>\nchorus on &#8220;Crows In The Wheatfield&#8221; it could have been a better<br \/>\ntrack. Maybe if the style of music hadn&#8217;t been so new-wave (though,<br \/>\ngratefully, not a la Devo) these would have been a little easier to<br \/>\nswallow. But the sad fact is, they aren&#8217;t &#8211; at least not in this<br \/>\nincarnation.<\/p>\n<p>Only the closing track, &#8220;Breaking Bread&#8221; holds out any hope for<br \/>\n<i>Del Amitri<\/i>. More in the pop-rock vein than any of the nine<br \/>\npreceeding tracks, Currie and crew sound like they finally hit a<br \/>\nlevel of comfort musically, and they truly shine on this one song.<br \/>\nToo bad it comes right at the end &#8211; but one could argue it left<br \/>\nhope for the band&#8217;s next outing&#8230; four years later.<\/p>\n<p>Maybe<br \/>\n<i>Del Amitri<\/i> was the kind of album that Currie and crew needed<br \/>\nto get out of their systems early on in the game. Maybe this really<br \/>\nis a picture of a band looking for a distinctive style and voice,<br \/>\nand finding out their search was to continue. Whatever the case, if<br \/>\nyou pick this one up hoping to hear early versions of &#8220;Roll To<br \/>\nMe&#8221;-like songs, you&#8217;re going to be in for an unpleasant shock. This<br \/>\none is for the die-hard fans only&#8230; and, since it&#8217;s out of print<br \/>\nat the time I&#8217;m writing this, good luck finding it.<\/p>\n","protected":false},"author":2,"featured_media":28163,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5641],"rating":[11204],"class_list":["post-39560","review","type-review","status-publish","has-post-thumbnail","artist-del-amitri","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39560"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39560\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28163"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39560"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39560"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39560"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}