{"id":39745,"date":"2006-05-03T00:00:00","date_gmt":"2006-05-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/home-3\/"},"modified":"2006-05-03T00:00:00","modified_gmt":"2006-05-03T00:00:00","slug":"home-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/home-3\/","title":{"rendered":"Home"},"content":{"rendered":"<p><review><\/p>\n<p>For music of Collective Soul&#8217;s kind, with its tightly<br \/>\nwound crisp guitar hooks and foot-tapping three-minute long<br \/>\nenergetic numbers, capturing its sound live and making a record out<br \/>\nof it was a natural progression.<\/p>\n<p>It is surprising, though, that the band took<br \/>\nMetallica&#8217;s route and did a symphony live record, especially since<br \/>\nit is not known to be drastically experimental or even eccentric<br \/>\nenough to take such a step. Moreover, when the symphonic orchestra<br \/>\nin question is made up of teenagers, it makes for a bigger surprise<br \/>\nto this unexpected move from a band, which one would expect no more<br \/>\nthan a straightforward live record from.<\/p>\n<p>But for a outfit that is not meant to be<br \/>\npath-breaking, and is underrated all the same, such a move is a<br \/>\ngood way to show the world that Collective Soul is capable of being<br \/>\nunconventional, and that there is more to these guys than just<br \/>\ntheir catchy pop-rock anthems.<\/p>\n<p>Though this project may sound too weird, <i>Home<\/i><br \/>\ncan be treated like any other live rock album. The band doesn&#8217;t<br \/>\nallow the Atlanta Symphony Youth Orchestra to take over its songs<br \/>\ncompletely; instead, Collective Soul performs like a regular rock<br \/>\nband, and the Youth Orchestra provides an additional layer to the<br \/>\ntracks without indulging in them too much. It acts as a part of<br \/>\nCollective Soul, and not as a separate collaborative unit.<\/p>\n<p>As far as the tracks covered on this record go, <i>Home<\/i><br \/>\nencompasses pretty much all Collective Soul favorites, with an<br \/>\nextra focus on songs from <i>Youth<\/i>. The cuts don&#8217;t sound much<br \/>\ndifferent from their studio versions, yet are just as energetic,<br \/>\nhonest and lively.<\/p>\n<p>The Atlanta Symphony Youth Orchestra has some fine<br \/>\nmoments on this record where it stands out, making a powerful<br \/>\npresence: The lush horn section on &#8220;December&#8221; pumps up its original<br \/>\ntoned-down orchestration; &#8220;Heavy&#8221; is made racier and more chaotic<br \/>\nby some exhilarating film-score arrangements that sound like a<br \/>\nsoundtrack from an action flick. On &#8220;Crown,&#8221; the experimentation<br \/>\ngoes a step further and the song is completely transmogrified, with<br \/>\nthe music consisting of strings and nothing else.<\/p>\n<p>Though tied to the group&#8217;s <i>Youth<\/i> project,<br \/>\n<i>Home<\/i> is basically a &#8220;best of&#8221; disc, and offers almost<br \/>\neverything that the band&#8217;s greatest hits CD <i>7even Year Itch<\/i><br \/>\nhas, coming off as an even more comprehensive collection of this<br \/>\nband&#8217;s hits over its 12-year career. Best of all, it captures<br \/>\nCollective Soul doing what it does better than making exciting rock<br \/>\nmusic in the studio: playing it live.<\/p>\n<p><\/review><\/p>\n","protected":false},"author":40,"featured_media":28314,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5735],"rating":[5617],"class_list":["post-39745","review","type-review","status-publish","has-post-thumbnail","artist-collective-soul","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39745"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28314"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39745"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39745"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}