{"id":39822,"date":"2006-07-05T00:00:00","date_gmt":"2006-07-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hopes-and-fears\/"},"modified":"2006-07-05T00:00:00","modified_gmt":"2006-07-05T00:00:00","slug":"hopes-and-fears","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hopes-and-fears\/","title":{"rendered":"Hopes And Fears"},"content":{"rendered":"<p align=\"left\">It&#8217;s taken me two years to listen to this album the entire way through. Of course, that&#8217;s just a testament to my own laziness and not anything about the album itself. But, since I&#8217;m seeing Keane live soon, not to mention their sophomore debut dropped recently, it seems like the perfect time to give <i>Hopes And Fears<\/i> an airing.<\/p>\n<p align=\"left\">Keane, who began as a Beatles\/U2\/Oasis cover band, hit it big with the release of their fifth single, the third from their debut album <i>Somewhere Only We Know<\/i>. It got to #3 and, in turn, catapaulted Keane onto the scene. Not surprising, as the single definitely has to be one of the best in recent years; replacing guitars with piano, combined with a sweeping chorus and lead singer&#8217;s Tom Chaplin&#8217;s distinctive vocals (most comparable to Radiohead&#8217;s Thom Yorke), &#8220;Somewhere Only We Know&#8221; creates an instant epic for the band. <\/p>\n<p align=\"left\">Emerging around the same time as acts like Snow Patrol, Franz Ferdinand and Scissor Sisters could&#8217;ve put the focus on Keane on the back burner, but the British trio instead enjoyed the second-best sales in the UK that year and snatched up awards for Best British Album and British Breakthrough Act, in addition to a Best Songwriter of the Year nod to pianist and bassist Tim Rice-Oxley (who was even invited by Chris Martin to join Coldplay before Keane became successful). Not surprising, though; the band reach their stride with their subdued romanticism, fueled by their delicate piano backdrop.<\/p>\n<p align=\"left\">&#8220;Everybody&#8217;s Changing&#8221; is Keane at their best; it&#8217;s the track that drew me in immediately as it&#8217;s probably the most upbeat on the album, featuring hooks galore, interludes of piano and an anchoring drumbeat. Somehow, the band manages to create a lush soundscape with just piano, bass, drums and vocals. Also worth mentioning are the sparse &#8220;She Has No Time&#8221; where Chaplin shifts into a seamless falsetto and the darker, more moody &#8220;Your Eyes Open,&#8221; which makes up for its slightly less memorable lyrics with a soaring chorus.<\/p>\n<p align=\"left\">Things do start to sound a bit formulaic about two-thirds of the way in, like on &#8220;Can&#8217;t Stop Now,&#8221; but the band to mix things up a bit with a new beat and some synths for &#8220;Untitled 1&#8221; (which likely gains its title from the fact that it&#8217;s more based on showcasing instruments instead of making any lyrical impact).<\/p>\n<p align=\"left\">This album is one of those tricky ones that take a while to get through, but it ultimately pays by revealing its depth and scope in crafted layers. Only time will tell if Keane are the revolutionary act they&#8217;ve been heralded as, but <i>Hopes And Fears<\/i> hold you over until then. <\/p>\n","protected":false},"author":48,"featured_media":28379,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7752],"rating":[5617],"class_list":["post-39822","review","type-review","status-publish","has-post-thumbnail","artist-keane","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39822"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28379"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39822"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39822"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39822"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}