{"id":39823,"date":"2006-07-05T00:00:00","date_gmt":"2006-07-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/resolution-2\/"},"modified":"2006-07-05T00:00:00","modified_gmt":"2006-07-05T00:00:00","slug":"resolution-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/resolution-2\/","title":{"rendered":"Resolution"},"content":{"rendered":"<p align=\"\\\"left\\\"\">Houston, we have found the heir to Joe Satriani&#8217;s throne, and his name is Andy Timmons.<\/p>\n<p align=\"\\\"left\\\"\">I&#8217;m beginning to think Steve Vai&#8217;s Favored Nations record label can do no wrong &#8212; everything I&#8217;ve heard released on that label has been amazing, both guitar-based records like this and jazz recordings. Here, session man Andy Timmons delivers 11 blistering tracks of instrumental rock the likes of which have not been heard since Jeff Beck&#8217;s <i>Blow By Blow<\/i>.<\/p>\n<p align=\"\\\"left\\\"\">I&#8217;d never heard of Timmons until now, though he&#8217;s done a lot of session work with pop acts like Paula Abdul and the Beach Boys, not to mention Leann Rimes. But apparently he&#8217;d been honing his own rock muse since his start at age 13, and that energy and passion comes through here. At 12 songs, it&#8217;s only 48 minutes long, but that only leaves the listener wanting more.<\/p>\n<p align=\"\\\"left\\\"\">When Timmons is on fire, his solos are among the best in the business &#8212; check out the rollicking &#8220;Helipad,&#8221; the classic rock throwback &#8220;Deliver Us&#8221; or the soulful &#8220;Gone (9\/11)&#8221; for proof that Timmons should no longer be overlooked. &#8220;Ghost Of You&#8221; has a solid latter-day Jimmy Page vibe, the kind of song Page should have written on <i>Outrider<\/i>, while the organic title cut features a slow-burning energy reminiscent of Stevie Ray Vaughan, only without the soul. <\/p>\n<p align=\"\\\"left\\\"\">&#8220;Redemption&#8221; is the closest thing here to a Satriani cut &#8212; I could have sworn it was played by the master himself, and it flies by too quickly. &#8220;Lydia&#8221; is solid and muscular and &#8220;Move On&#8221; is a lost 80s pop metal classic, due mostly to Mitch Marine&#8217;s drums, but the best of the bunch is &#8220;Beware Dark Days,&#8221; with stop\/start drumming and an off-kilter progressive metal foundation akin to Soundgarden or middle-period Dream Theater. <\/p>\n<p align=\"\\\"left\\\"\">&#8220;The Prayer\/The Answer&#8221; allows the listener to catch his or her breath after nine kinetic walls of sound, but the slow picking is just as good as anything here, sort of a mix between David Gilmour and Steve Ray Vaughan&#8217;s &#8220;Riviera Paradise.&#8221; It&#8217;s a good closer, though the hidden untitled track is Timmons&#8217; nod to Van Halen&#8217;s first two albums. Marine provides a country drum beat because, well, why not? But it works.<\/p>\n<p align=\"\\\"left\\\"\">In fact, the entire disc works and gets my vote as one of the best of 2006. Fans of guitar heroes will find a lot to love here, but what&#8217;s important is that Timmons is a modern-day guitar hero in an age where only a handful exist, and for that this disc is worthwhile. It just helps that it&#8217;s also so damn excellent.<\/p>\n","protected":false},"author":45,"featured_media":28380,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7753],"rating":[5613],"class_list":["post-39823","review","type-review","status-publish","has-post-thumbnail","artist-andy-timmons-band","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39823"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39823\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28380"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39823"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39823"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39823"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}