{"id":39849,"date":"2006-07-24T00:00:00","date_gmt":"2006-07-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-who-by-numbers\/"},"modified":"2006-07-24T00:00:00","modified_gmt":"2006-07-24T00:00:00","slug":"the-who-by-numbers","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-who-by-numbers\/","title":{"rendered":"The Who By Numbers"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">When it comes right down to it, The Who were pretentious as hell. Here was a band that quite possibly could have been the greatest of all time yet saw fit to indulge themselves in massive projects like <i>Tommy <\/i>and <i>Quadrophenia<\/i>.<\/p>\n<p>Let the record state I enjoy <i>Quadrophenia<\/i> and most of <i>Tommy<\/i>. However, in my eyes, the ultimate Who record is <i>Who\u2019s Next<\/i>. That album encapsulated what Daltrey and Co. were all about. Why they didn\u2019t see fit to just record albums like that boggles the mind; yes, there is something to be said for progression as an artist, but to me The Who never really explored what the potential <i>Who\u2019s Next<\/i> provided.<\/p>\n<p><i>The Who By Numbers<\/i> tends to be one of those forgotten Who records, released right in between <i>Quadrophenia<\/i> and the last album with Keith Moon, <i>Who Are You. <\/i>That is a shame, because this one ranks up there with the best, due in no small part to a straightforward approach to the material.<\/p>\n<p>First, let\u2019s just get \u201cSqueeze Box\u201d out of the way. Rock is juvenile at the core, so the lyrics shouldn\u2019t shock anyone. Besides, they are genuinely funny; I had never heard \u201csqueeze box\u201d used as this particular euphemism before. Furthermore, the music is probably the pop side of The Who at their best. How many Who songs have banjo and accordion in them?<\/p>\n<p>That was the hit, but it is nowhere close to being the best track. The pounding \u201cSlip Kid\u201d actually captures what I think Zeppelin tried to do with <i>In Through The Out Door<\/i>. The jaunty, acoustic flavored \u201cHowever Much I Booze\u201d is the quickest five minutes you\u2019ll ever hear, and Townshend actually delivers an effective rock vocal performance, a rarity since his voice doesn\u2019t exactly command attention like Daltrey\u2019s.<\/p>\n<p>\u201cImagine A Man\u201d is a classic Who, demonstrating the group&#8217;s ability to shift gears on a dime. The track fluctuates between a gentle, rolling ballad and thunderous climaxes, punctuated by Moon\u2019s brilliant fills. In fact, <i>Who By Numbers<\/i> is some of Moon\u2019s best work, because it is restrained yet powerful. The man can play, \u201cThe Ox\u201d proved that. But there\u2019s a difference between banging away and playing.<\/p>\n<p>The songwriting on <i>Who By Numbers<\/i> is the opposite of <i>Tommy<\/i>. I enjoy that, especially because Townshend didn\u2019t feel the need to gussy up his ideas in the form of a complex rock opera; he just let his feelings play out straight. \u201cHow Many Friends,\u201d beneath the bravado of Daltrey\u2019s vocals and the arrangement, contains quite a touching sentiment on being a rock star.<\/p>\n<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">If you want to listen to The Who at their most experimental, put on <i>Quadrophenia<\/i>. If you want to hear them at their pinnacle, put on <i>Who\u2019s Next.<\/i> If you want to listen to The Who just play, pick up <i>The Who By Numbers<\/i>. <\/p>\n","protected":false},"author":44,"featured_media":28404,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5649],"rating":[5617],"class_list":["post-39849","review","type-review","status-publish","has-post-thumbnail","artist-the-who","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39849"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39849\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28404"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39849"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39849"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}