{"id":39866,"date":"2006-08-03T00:00:00","date_gmt":"2006-08-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zoom-2\/"},"modified":"2006-08-03T00:00:00","modified_gmt":"2006-08-03T00:00:00","slug":"zoom-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zoom-2\/","title":{"rendered":"Zoom"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\"><i>Zoom<\/i> has seen its fair share of controversy among ELO fans. Some argue it isn&#8217;t an ELO album at all but rather a Jeff Lynne solo album. But what they need to realize is that ELO <i>was <\/i>Jeff Lynne, who provided the direction and vision for the music.<\/p>\n<p>So the fact that he has reclaimed the ELO name and recorded an album without peripheral players shouldn\u2019t matter. The music further accentuates this fact; <i>Zoom<\/i> was recorded in 2001, but damn if it doesn\u2019t sound like vintage ELO. This is not the experimental sound the band expressed on their debut <i>No Answer<\/i>, nor the more sophisticated pop of \u201cRoll Over Beethoven.\u201d This is pure, <i>Discovery-<\/i>era ELO.<\/p>\n<p>I say <i>Discovery<\/i> because if you listen, that album was much less ornate than its predecessors and even featured a disco sound. <i>Zoom<\/i> is thankfully not disco, but it follows in that tradition. The orchestral aspect of ELO does rear its head but not as much as you would expect. Luckily, Lynne managed to craft some good pop\/rock to make up for the disparity.<\/p>\n<p>In fact, some of the better numbers from <i>Zoom<\/i> are those that sound the least like ELO. \u201cEasy Money,\u201d is a throwback to 50s style rock and roll and \u201cMelting In The Sun,\u201d goes for the Dylan vibe and captures it perfectly (Duke, you were right). <\/p>\n<p>Of course, a great deal of the songs are directly influenced by The Beatles, as any good ELO fan knows. What&#8217;s interesting is that Ringo Starr and George Harrison played on <i>Zoom, <\/i>perhaps a return favor for Lynne producing the two Beatles tracks on the <i>Anthology <\/i>discs of 1996. Of these songs, \u201cA Long Time Gone\u201d could have been an outtake from the <i>Abbey Road<\/i> sessions, featuring some absolutely stunning harmonies. \u201cJust For Love\u201d follows the same pattern, with a hint of \u201cStrawberry Fields Forever.\u201d<\/p>\n<p>The best songs, though, are Lynne through and through. \u201cState Of Mind\u201d recaptures that \u201cDon\u2019t Bring Me Down\u201d spirit with its infectious chorus and stomping beat. The lush ballad \u201cMoment In A Paradise,\u201d is Lynne at his most romantic; check out his soaring falsetto vocals. Best of all is the stunning \u201cStranger On A Quiet Street,\u201d which has the best use of the strings, fading in and out, moving with the flow of the track perfectly. Romantic and mysterious, \u201cStranger\u201d molds the past ELO slower songs, and had it been present on <i>Out Of The Blue<\/i>, it would have been a hit. <\/p>\n<p>There is no question that <i>Zoom<\/i> is derivative of other artists, but that is the way it has always been with ELO. Jeff Lynne has gone back and recaptured what made the Electric Light Orchestra so very special with this album.<\/p>\n","protected":false},"author":44,"featured_media":25934,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6624],"rating":[5613],"class_list":["post-39866","review","type-review","status-publish","has-post-thumbnail","artist-electric-light-orchestra","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39866"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39866\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25934"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39866"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39866"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}