Emerging with their best record since the self-titled disc that made them stars, 311 adds a new element to their sound and creates one of their better album-length releases.\u00a0<\/p>\n
There are plenty of the funk-rap-rock-ska hybrids here that made the band famous, but where this one shines is the near-ballads, the shimmering “Amber” and the moody, hypnotic \u201cI’ll Be Here Awhile,\u201d featuring the best vocal performance from Nick Hexum ever put to disc.<\/p>\n
The band is very fond of this release, calling it their best-performed album to date, and that remains the case. While 311 <\/i>was energetic and original, it still had its share of underdeveloped filler, but six years later the band has worked out the kinks and can balance manic energy with professionalism, although the faster songs skew toward the latter at this point.<\/p>\n
\u201cYou Wouldn’t Believe\u201d is the best of these, with a muscular bass riff and restrained, floating vocals working together until the chorus erupts. \u201cHostile Apostle\u201d is a stylistic jumble in a good way, an original, downbeat tune that is underrated and not half bad. Other style additions include metal guitar on “Full Ride,” the Chili Peppers alt-funk of the title track and the newfound focus and discipline of, well, every song.<\/p>\n
The lyrics are still inane (“For fun I attend a jam that’s super bad”), but the music remains a highlight of the band’s catalog; it’s a sound that uniquely belongs to this band and one that’s hard to pin down. If one decides to look beyond the hits collection, From Chaos <\/i>is the place to start. <\/p>\n
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