{"id":39915,"date":"2006-09-03T00:00:00","date_gmt":"2006-09-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/an-innocent-man\/"},"modified":"2006-09-03T00:00:00","modified_gmt":"2006-09-03T00:00:00","slug":"an-innocent-man","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/an-innocent-man\/","title":{"rendered":"An Innocent Man"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">For the longest time (no pun intended), <i>An Innocent Man<\/i> was one of those Billy Joel albums that eluded purchase from me. I don\u2019t know why, exactly, since it&#8217;s one of his biggest sellers and contains some of my favorite Joel tunes. But when I did hear the album, I heard it during one of those important moments in my life. Because of that experience <i>An Innocent Man<\/i> will always mean something special to me. <\/p>\n<p>Fortunately, I don\u2019t have to exaggerate the album&#8217;s quality, because it really is one of Joel\u2019s best albums. Coming out of the decade where music could be as artificial as the chair I\u2019m sitting on, it\u2019s a welcome breath of fresh air. Of course, the main reason for that is Joel decided to honor the artists of the 50s and 60s who had inspired him.<\/p>\n<p>I can\u2019t really tell you which songs sound likes whom from those decades. What I can tell you is that the overall sound is genuine. Every track except \u201cKeepin&#8217; The Faith\u201d is permeated with a 50s\/60s retro sound. This is not Joel\u2019s 80s take on the music; this is as close to the actual music as you can get.<\/p>\n<p>The arrangements are sparse and simplistic, the vocal arrangements are tight and warm, and Joel himself has never sounded better. <i>An Innocent Man<\/i> shows off Joel\u2019s versatile voice, a staple of his earlier albums. Take \u201cThe Longest Time,\u201d which is essentially a one man a cappella show from the Piano Man. The only other accompaniment is some bass work and finger snapping, but the vocals fill up the rest of the song, adding texture. The title track demonstrated Joel\u2019s falsetto to tremendous effect; I\u2019d rank this with his top performances of all time.<\/p>\n<p>Granted, some of the material on <i>An Innocent Man<\/i> is cheesy and clich\u00e9d. Let\u2019s face it, not many other artists could get away with the doo-wop \u201cUptown Girl,\u201d but Joel did and pulled it off well. There\u2019s an innocence (sorry!) about the material, which mainly deals with love in all its forms. Of course, if I was married to Christie Brinkley, I\u2019d be moonstruck too.<\/p>\n<p>Picking the top moments off <i>An Innocent Man<\/i> is a difficult task. \u201cLeave A Tender Moment Alone\u201d is a prime example of Joel\u2019s melodic gifts; the refrain sounds burdensome on its own but Joel makes it flow smoothly. The Stevie Wonder-ish harmonica work only adds to the track. \u201cThis Night\u201d resonated the most with me of any song off the album. It could have been a few things: the lush string arrangements, the wailing sax solo, or the lyrics that still hit me hard. And \u201cKeeping The Faith\u201d has a bass riff you can&#8217;t stop grooving to.<\/p>\n<p>People tend to forget <i>An Innocent Man<\/i> when talking about the greatest pop albums ever. But you\u2019d be hard pressed to find one more appealing and consistent than <i>An Innocent Man.<\/i> This one goes out to you, Ms. B.<\/p>\n","protected":false},"author":44,"featured_media":28464,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5760],"rating":[5646],"class_list":["post-39915","review","type-review","status-publish","has-post-thumbnail","artist-billy-joel","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39915"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39915\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28464"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39915"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39915"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}