{"id":39916,"date":"2006-09-04T00:00:00","date_gmt":"2006-09-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/silent-alarm\/"},"modified":"2006-09-04T00:00:00","modified_gmt":"2006-09-04T00:00:00","slug":"silent-alarm","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/silent-alarm\/","title":{"rendered":"Silent Alarm"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">Much like the \u201890s, the music world has been saturated with proclamations of the next &#8220;it&#8221; band over the last few years. With the Internet and PR companies in overdrive, bands have blown up and faded into obscurity in a matter of months, not years &#8212; The Vines, The Editors, The Strokes, Death Cab For Cutie, Arctic Monkeys, Bloc Party, The Shins, Sufjan Stevens &#8212; and the list goes on. <\/p>\n<p>If you\u2019ve been burned by any of these bands, you may be reluctant to buy into the next hype. Early in 2005, a buzz surrounded Bloc Party as being the next &#8220;big&#8221; band in indie sites like Pitchforkmedia.com. Unlike other bands that have created such a buzz, Bloc Party stands out for both its political-leaning lyrics and the fact that the album that brought them attention both in the <country-region><\/country-region><place><\/place>United States and in the <country-region><\/country-region><place><\/place>UK, <i>Silent Alarm<\/i>, is such a gripping listen on its first spin. <\/p>\n<p><i>Silent Alarm<\/i> has all the traits of great \u201880s college rock albums. &#8220;Price of Gas&#8221; and &#8220;She\u2019s Hearing Voices&#8221; have the political drive of early passionate U2. &#8220;Like Eating Glass&#8221; and &#8220;So Here We Are&#8221; have the melancholy, morose romanticism of the Cure\u2019s best work and songs like &#8220;Pioneers&#8221; and &#8220;Banquet&#8221; are catchy enough to dance to, a la The Clash\u2019s \u201880s output. Throw in a devastating ballad with &#8220;This Modern Love&#8221; and you start to believe that <i>Silent Alarm<\/i> is too calculated to achieve the greatness of albums like The Arcade Fire\u2019s <i>Funeral <\/i>or The White Stripes\u2019 <i>White Blood Cells<\/i>. <\/p>\n<p>Lyric-wise, <i>Silent Alarm<\/i> attacks the standard objects of scorn and ridicule: materialism, imperialism and apathy. &#8220;Why can\u2019t you be more European \/ Bastard child of guilt and shame \/ Bury your head in the sand \/ I\u2019m thinking six, six, six,&#8221; Kele Okereke sings in &#8220;Helicopter.&#8221; In &#8220;Luno,&#8221; Okereke unleashes a rapid-fire of confrontational lyrics: &#8220;There will be no hesitation \/ There will be no confrontation \/ There will be no indication \/ There will be no cause \/ there will be no exultation.&#8221; <\/p>\n<p>Most of the songs in <i>Silent Alarm<\/i> are insanely catchy, thanks to Okereke and Russell Lissack\u2019s guitar work. &#8220;Helicopter&#8221; has one of the coolest guitar solos in recent memory and Matt Tong\u2019s drumming on &#8220;Pioneers&#8221; makes you want to break out into a spontaneous mosh. Though the album was recorded sans keyboards, the songs are so danceable that a remix album has already been pressed. <\/p>\n<p>One of the curses of making such an accessible album and having a social conscience is that <i>Silent Alarm<\/i> is currently all over the airwaves and in theaters. Saturn has used &#8220;So Here We Are&#8221; in one of their commercials. If you\u2019ve played any racing game for the PS2 or X-Box, you\u2019ve probably heard &#8220;Helicopter.&#8221; But be it a commercial, through alternative rock radio or a video game, <i>Silent Alarm<\/i> is an album that deserves to be heard. <\/p>\n","protected":false},"author":7,"featured_media":28465,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7796],"rating":[5613],"class_list":["post-39916","review","type-review","status-publish","has-post-thumbnail","artist-bloc-party","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39916"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39916\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28465"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39916"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39916"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39916"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}