{"id":39943,"date":"2006-09-18T00:00:00","date_gmt":"2006-09-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/black-like-sunday\/"},"modified":"2006-09-18T00:00:00","modified_gmt":"2006-09-18T00:00:00","slug":"black-like-sunday","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/black-like-sunday\/","title":{"rendered":"Black Like Sunday"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">&#8220;Cleaning out the bins&#8221; is another way of saying that you\u2019re taking the trash out from the trashcan. Remember the spoiled milk that you threw out a month ago? How about the underwear that you decided to throw away because of the crusty feel in your crotch after years of laboring with it? There\u2019s a big chance that it\u2019s probably thrown out along with the other trash that you\u2019ve collected for how long. After throwing out the trash, look inside the bin and see the molds forming on its corners. Gross.<\/p>\n<p>In music, cleaning out the bins would also mean the same thing, although the word \u2018bin\u2019 would sometimes be replaced by \u2018vault\u2019 just to make it sound cool, which it really isn\u2019t (except for <i>The Daily Vault<\/i>, of course.) When a band delivers a press release stating that they\u2019ll come up with an album containing their songs from the \u2018vault,\u2019 they\u2019ll actually be releasing the songs of yesteryears that were cut from their previous albums, and songs that were not recorded on any other album because it sucked (but the band won\u2019t admit it). These kinds of albums only appeal to hardcore fans of the band, so this stuff is more of a collector\u2019s item.<\/p>\n<p>With this said, most of these things can be applied to King\u2019s X\u2019s 2003 release, <i>Black Like Sunday<\/i>. From the onset, the bulk of the material from <i>Black Like Sunday<\/i> is simply not up to snuff where the tunes are not reflective of what the band actually sounds like. The album is primarily guitar-driven, but contains little of the inspired melodies that the band is known for. Songs like \u201cYou\u2019re The Only One\u201d and \u201cWorking Man\u201d are too straight-forward and campy.<\/p>\n<p>The naked upfront lyrics are also painfully evident with the songs, especially the cringe-inducing number \u201cDanger Zone\u201d (\u201cI\u2019m a man and I\u2019m a boy \/ and I want to be happy \/ but my life\u2019s not a toy \/ somebody help me \/ I\u2019m living in a danger zone.\u201d)<\/p>\n<p>However, unlike other vault-cleaning albums, <i>Black Like Sunday<\/i> is still enjoyable as the listeners are able to get a glimpse of the band during its formative years. Although the songs display raw songwriting, the promise of lush melodies and catchy hooks are pretty evident with most of their compositions.<\/p>\n<p>\u201cDreams\u201d is one of the better songs of the album, which has a bass-driven verse and throws into a groovy, singable chorus that grabs the listener repeatedly. As always, the performance is tight, and the songs have benefited from the band playing together throughout the years. The production is also able to bring a warm, yet loose arena-rock feel, evidenced on the hard-rocking title track, \u201cScreamer\u201d and \u201cJohnny.\u201d<\/p>\n<p><i>Black Like Sunday <\/i>is meant to interest hardcore fans of the band. Beginners would be better off purchasing <i>Gretchen Goes to Nebraska <\/i>or <i>Faith Hope Love<\/i> first before delving deeper into their discography.<\/p>\n","protected":false},"author":51,"featured_media":28487,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6353],"rating":[5619],"class_list":["post-39943","review","type-review","status-publish","has-post-thumbnail","artist-kings-x","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39943"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39943\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28487"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39943"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39943"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}