{"id":39979,"date":"2006-10-13T00:00:00","date_gmt":"2006-10-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/help\/"},"modified":"2006-10-13T00:00:00","modified_gmt":"2006-10-13T00:00:00","slug":"help","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/help\/","title":{"rendered":"Help!"},"content":{"rendered":"<p><em>(Assistant Editor&#8217;s note: This review is meant for those who want to discover the Beatles but haven&#8217;t ever heard the full albums. Since there&#8217;s maybe nine of those people in the world, I hope they&#8217;re reading this.) <\/em><\/p>\n<p>Were you to draw a line between the moptop boys of Beatlemania and the sophisticated composers who spoke for a generation, it would come in between <em>Help! <\/em>and<em> Rubber Soul.<\/em> The weariness and reliance on covers from <i>Beatles For Sale <\/i>is gone, and the band appears to be having fun again &#8212; aided, more than likely, by their discovery of marijuana courtesy of one Bob Dylan. Or perhaps working on a movie again got the creative juices flowing. Whatever the reason, <i>Help! <\/i>is a very good Beatles album but not a must-own, falling somewhere between the sunny pop optimism of <i>A Hard Day&#8217;s Night <\/i>and the bleak defeat of <i>Beatles For Sale<\/i>.<\/p>\n<p>There would come a time, beginning in 1966, where the boys started making album statements, forcing the listener to hear the music as the product of a creative force, not a marketing machine churning out hit singles. So <i>Help! <\/i>is interesting in that it&#8217;s the last album that features a few hit singles, some filler and the token George Harrison tracks that didn&#8217;t add much to the overall picture. It&#8217;s also half of the soundtrack to the movie, but that&#8217;s useless, as the music in the movie didn&#8217;t make much sense like it did in <i>A Hard Day&#8217;s Night. <\/i><\/p>\n<p>Paul McCartney really steals the show here, with &#8220;Another Girl&#8221; and &#8220;The Night Before&#8221; being two of the finest album tracks of the band&#8217;s entire career, the former a surprisingly quick and slightly dark pop tune driven by Paul&#8217;s funky lead guitar. He also turns in &#8220;Yesterday&#8221; and the sped-up country of &#8220;I&#8217;ve Just Seen A Face,&#8221; which could almost be a hillbilly tune and is a forgotten classic.<\/p>\n<p>The album hits a slow stretch with &#8220;Act Naturally,&#8221; &#8220;It&#8217;s Only Love&#8221; and &#8220;You Like Me Too Much,&#8221; the former a Ringo-sung throwaway cover. &#8220;You Like Me&#8221; and &#8220;Tell Me What You See&#8221; are that rare beast, Beatles tracks that are neither catchy nor worth hearing more than a couple times. It&#8217;s in this stretch that the foursome shows its weariness, what with Beatlemania, filming a movie, tossing off tons of non-album singles and trying to keep sanity and marriages together at the same time. So one can forgive them a few duff tracks in the process, but it&#8217;s those that keep this disc from being a classic.<\/p>\n<p>Lennon&#8217;s title tune still ranks as one of the most understated cries for help in all music, perhaps the jauntiest begging ever committed to vinyl, but it&#8217;s his rollicking, hoarse cover of &#8220;Dizzy Miss Lizzie&#8221; that stands above most other Beatles covers. Of the other tracks, &#8220;You&#8217;ve Got To Hide Your Love Away&#8221; and &#8220;Ticket To Ride&#8221; are fine tunes, &#8220;I Need You&#8221; is standard George Harrison (he would improve quickly) and &#8220;You&#8217;re Gonna Lose That Girl&#8221; is assured Lennon, proof that even during down times the man could write a great song when he wanted to.<\/p>\n<p>With too many average tracks, <em>Help! <\/em>falls short of classic status, but the best here is still worth hearing as a bridge between what had come before and what lay ahead.<\/p>\n","protected":false},"author":45,"featured_media":28519,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5675],"rating":[5615],"class_list":["post-39979","review","type-review","status-publish","has-post-thumbnail","artist-the-beatles","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39979"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39979\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28519"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39979"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39979"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}