{"id":39991,"date":"2006-10-18T00:00:00","date_gmt":"2006-10-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-open-door\/"},"modified":"2006-10-18T00:00:00","modified_gmt":"2006-10-18T00:00:00","slug":"the-open-door","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-open-door\/","title":{"rendered":"The Open Door"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">Three years seems like a long time ago.<\/p>\n<p>It is hard to believe that it\u2019s been three years since Evanescence put out new product. You&#8217;d expect\u00a0a band that had a multi-platinum record under their belts to be raring to churn out new music. Instead,\u00a0Amy Lee and co. went through a great deal of turmoil after releasing <i>Origin<\/i>. Songwriter\/lead guitarist Ben Moody left in the middle of a tour and then the band\u2019s bassist took a hike as well. <\/p>\n<p>Not that any of this matters in the end, because Lee was\/is the driving force behind the music, meaning <i>The Open Door<\/i> sounds pretty much the same as <i>Origin<\/i>.<\/p>\n<p>Lee was the lone bright spot on <i>Origin<\/i> and not much has changed. Her vocals are some of the best you\u2019ll hear this year. While labeling her performances as \u201csoulful\u201d would be a mistake, there is no doubt she has range. On the best material, Lee belts out each note with such gusto, one can\u2019t help be compelled to take notice. <\/p>\n<p>So once again, as my crazy Uncle Jesse used to say before he threw another possum into the pot, \u201cIt\u2019s about the songs, stupid.\u201d Lee, unfortunately, has to share the responsibility for this aspect of the album. The first hint of trouble came when \u201cCall Me When You\u2019re Sober\u201d was released as the leadoff single. Honest to God, I did not stop laughing until the song had finished. Not totally a remake of \u201cBring Me To Life,\u201d but close enough to invite comparison, the tune demonstrated that things really weren\u2019t going to be different.<\/p>\n<p>And upon giving <i>The Open Door<\/i> a run-through, I was sort of right. Things aren\u2019t the same; they&#8217;ve gotten worse. Five songs in, boredom has completely set in. Lee and the band may try to hide their glaring deficiencies with creepy production tricks and vocals and massively over the top choral chants, but it just doesn\u2019t work. <\/p>\n<p>I will give <i>The Open Door<\/i> some credit, however; it does set a better mood than <i>Origin<\/i>. The aforementioned production decisions accomplish that, but that problem is the songs are just empty. Take \u201cCloud Nine.\u201d Things start off promisingly with Lee\u2019s ghostly vocals, but then things take a turn for nu-metal and BAM, it\u2019s over. The poor thing didn\u2019t even stand a chance. \u201cLose Control,\u201d \u201cLacrymosa,\u201d \u201cYour Star&#8230;\u201d the list goes on and on. <\/p>\n<p>Evanescence was never a technically gifted band; I mean, how many bands could withstand the departure of the lead guitarist and bass player and come out of it sounding virtually the same? Personally, I think Lee should end the charade and just pursue a solo career. I don\u2019t know if her membership in the band is affecting what kind of material she writes, but it sure isn&#8217;t helping. Two albums in, Evanescenc<i>e <\/i>has not only hit a sophomore slump but shows no sign of breaking out of it at all. They\u2019ve found their formula, and sadly they are sticking to it.<\/p>\n","protected":false},"author":44,"featured_media":28528,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6891],"rating":[11205],"class_list":["post-39991","review","type-review","status-publish","has-post-thumbnail","artist-evanescence","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39991"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39991\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28528"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39991"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39991"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}