{"id":40046,"date":"2006-11-23T00:00:00","date_gmt":"2006-11-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/odelay-2\/"},"modified":"2006-11-23T00:00:00","modified_gmt":"2006-11-23T00:00:00","slug":"odelay-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/odelay-2\/","title":{"rendered":"Odelay"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">You might like him, you might loathe him, but it&#8217;s impossible to ignore Beck. If you&#8217;ve ever touched a radio in the past decade, you&#8217;re bound to have heard one of his variety of catchy singles; you&#8217;re also bound to have not understood a word the man was saying, but chances are you found yourself humming along after the fact regardless. <\/p>\n<p>This is part of Beck&#8217;s charm\u00a0&#8212; he&#8217;s able to string together his own thoughts, coherence be damned, and still produce good music. And this is no more evident than his 1996 masterpiece <i>Odelay. <\/i><i><\/p>\n<p>If you&#8217;ve got any interest in alternative rock at all, it&#8217;s hard not to love Beck&#8217;s mixture of simultaneously nonsensical and deep lyrics, thumping beats, guitar work and sampling. It doesn&#8217;t help that all the songs are so damn catchy. <\/p>\n<p><\/i><\/p>\n<p>The highlights are the singles: &#8220;Devil&#8217;s Haircut,&#8221; &#8220;The New Pollution&#8221; and &#8220;Where It&#8217;s At,&#8221; and if you&#8217;ve not heard these you are really missing out. &#8220;Devil&#8217;s Haircut&#8221; has a perky, optimistic beat that&#8217;s enhanced, rather than depreciated, by the contrast of Beck&#8217;s unenthusiastic mumbling; the man has said it is one of his favorite songs and occasionally sings it twice at concerts. &#8220;The New Pollution&#8221; has a pumping, forceful rhythm that gives the track a hip-hop feel, and &#8220;Where It&#8217;s At&#8221; could be considered the alternative rock movement&#8217;s most influential party track, thanks to its unique use of sampling and a defining keyboard riff.<\/p>\n<p>Unlike most modern albums, however, <i>Odelay<\/i> doesn&#8217;t become worthless once the singles start to get old. It&#8217;s a musical tour-de-force; there isn&#8217;t a track to be found on here that&#8217;s not worthy of a few rotations in your CD player. &#8220;Hotwax&#8221; and &#8220;Lord Only Knows,&#8221; for example, are influenced by country music yet still have a powerful urban flavor. &#8220;High 5 (Rock The Catskills),&#8221; on the other hand, is pure hip-hop all the way. This sort of genre experimentation results in a unique blend of an album with a flavor that&#8217;s difficult to find anywhere else; how many artists will blend country, rap, jazz, rock, pop and strings into one album and make it all sound so good?<\/p>\n<p>Producers The Dust Brothers help Beck considerably here, making a disc that perfectly captures what the alternative movement is about but never confining to the genre&#8217;s conventions. <i>Odelay <\/i>defines Beck as a true artist and is one of the alt-rock movement&#8217;s last great albums. It&#8217;s a journey well worth taking, but don&#8217;t expect to understand most of it.<\/p>\n","protected":false},"author":52,"featured_media":25009,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5717],"rating":[5646],"class_list":["post-40046","review","type-review","status-publish","has-post-thumbnail","artist-beck","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40046"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25009"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40046"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40046"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}