{"id":40074,"date":"2006-12-11T00:00:00","date_gmt":"2006-12-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tracy-chapman\/"},"modified":"2006-12-11T00:00:00","modified_gmt":"2006-12-11T00:00:00","slug":"tracy-chapman","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tracy-chapman\/","title":{"rendered":"Tracy Chapman"},"content":{"rendered":"<p style=\"margin: 0in 0in 0pt\" class=\"MsoNormal\">In 1988, if you weren\u2019t a pinup or a cartoonish metal figure, chances were you were not going to see your album land on the charts. There was music of substance out there, but the figures behind this music (mainly U2 and Public Enemy) seemed larger than life and beyond reproach. <\/p>\n<p>Somehow, in this environment, Tracy Chapman\u2019s \u201cFast Car\u201d found a home on MTV and radio stations. The video was simply shot \u2013 the majority of the comments I remember hearing from classmates were cracks about Chapman\u2019s warbly voice and spiky hair. Almost overnight though, that song propelled a debut album into the Billboard Top 10. <\/p>\n<p>Thanks to a college buddy, Tracy Chapman was introduced to Charles Koppelman, who worked at SBK Productions. Koppelman eventually helped get Chapman signed to Elektra Records. True, for a major label, Elektra was one of the more risk-taking labels in the \u201880s, signing acts like The Cure and the Pixies, but Chapman\u2019s album wasn\u2019t catered to the college rock crowd. The sparse instrumentation was a throwback to early singer\/songwriters of the \u201870s such as James Taylor and Joni Mitchell. <\/p>\n<p>Though the music harkened back to a bygone era, the lyrics were a mix of \u201860s protect anthems and character portraits that focused on the victims of the \u201cgo-go\u201d \u201880s economy. \u201cPoor people are gonna rise up and take what\u2019s theirs,\u201d Chapman sings in the call to arms opener \u201cTalkin\u2019 Bout a Revolution.\u201d <\/p>\n<p>Much has been made about the politics behind Chapman\u2019s lyrics in her debut album, but the majority of the songs deal with relationships. And like all great singer\/songwriters, the relationships in Chapman\u2019s songs rarely are mutually equal. The female character in \u201cFast Car\u201d daydreams of escaping to a city with a loved one, but eventually winds up supporting him while he goes out with his friends. In \u201cFor My Lover,\u201d the song leads off with an exasperated line \u201cTwo weeks in a Virginia jail \/ For my lover, for my lover.\u201d <\/p>\n<p>Tracy Chapman spent 1988 touring with the 10,000 Maniacs and gained international fame for her performance at a concert celebrating Nelson Mandela\u2019s 70<sup>th<\/sup> birthday. Within a little more than a year, Sinead O\u2019Connor would also top the charts with an album as emotionally bare as this one, but it was Chapman who paved the way. <\/p>\n<p>Chapman may not have single handedly revived the singer\/songwriter movement, but few can argue that musical movement wouldn\u2019t have been nearly as popular if her debut album wasn\u2019t so amazing. Hopefully some songwriter is taking seriously hints from <i>Tracy Chapman<\/i> and working on releasing an album that reflects the anxieties of today as well as Chapman did nearly 20 years ago. <\/p>\n","protected":false},"author":7,"featured_media":28600,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7870],"rating":[5646],"class_list":["post-40074","review","type-review","status-publish","has-post-thumbnail","artist-tracy-chapman","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=40074"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/40074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/28600"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=40074"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=40074"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=40074"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=40074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}